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Arne Vodder Sideboard Os 36

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Arne Vodder Sideboard 'OS 36' in Rosewood for Sibast Mobler, Denmark, 1960's
By Sibast, Arne Vodder
Located in Antwerpen, BE
Freestanding sideboard, OS36, designed by Arne Vodder and produced for Sibast furniture, Denmark
Category

Vintage 1960s Danish Scandinavian Modern Sideboards

Materials

Wood, Rosewood

Model OS-36 Rosewood Credenza by Arne Vodder for Sibast Furniture, Circa 1960s
By Sibast, Arne Vodder
Located in Phoenix, AZ
Here is a beautiful model OS-36 rosewood credenza by Arne Vodder for Sibast Furniture. Made in
Category

Vintage 1960s Danish Scandinavian Modern Credenzas

Materials

Rosewood

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Sibast for sale on 1stDibs

While the origins of Sibast can be traced back to wooden furnishings created in a modest cabinetmaker’s workshop in 1908, the Danish company is best known for the vintage dining chairs, desks, armchairs and other pieces it produced during the postwar years. Owing largely to the creative direction of designer Helge Sibast during that period, the manufacturer is internationally revered today for its wide range of sleek and collectible Scandinavian modern furniture. 

Sibast was established by cabinetmaker Peder Olsen Sibast in 1908 as a small carpentry shop in rural Denmark. Peder's son Helge was born that year and began apprenticing alongside his father at a young age. In the 1940s, when the elder Sibast passed away, Helge assumed a management role at the company alongside his siblings, Ole and Emma.

Helge was tasked with leading design, production and product development at a time when what we now call mid-century modernist furniture design was gaining popularity with American consumers and elsewhere, and his own designs reflected a focus on craftsmanship and an emphasis on clean lines as well as the use of organic materials in their construction. Sibast also enlisted the talents of other renowned Danish modernists including Piet Hein, Arne Vodder and Grete Jalk. Vodder designed many of the brand’s armchairs, dining tables and dining chairs that were exported to the United States throughout the ‘50s and ‘60s.

In 1953, the company introduced two of Helge Sibast's most celebrated creations — the Sibast No. 7 and No. 8 chairs. The popular Sibast No. 7 dining chair is noted for its floating backrest and expressive form. With its sturdy Y-frame, the unassuming Sibast No. 8 was a worldwide hit when it debuted, and its simple and functional mid-century modern appeal made it an instant classic. In the 1960s, Sibast chairs were even purchased for interiors at the White House.

The Sibast family sold the company in 1984 but retained the copyrights to Helge's designs. In 2012, Helge's grandson Ditlev and his wife Anna relaunched the Sibast furniture company. The brand’s offerings include many of Helge's original creations alongside new designs that adhere to the company's long-held tradition of creating sculptural, innovative and functional furniture.

Find vintage Sibast storage pieces, seating and tables on 1stDibs.

A Close Look at scandinavian-modern Furniture

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

  • Bold, clean lines and simple, sturdy symmetries
  • Use of natural materials — native woods such as pine, ash and beech
  • Open, airy spaces
  • Promotion of functionality
  • Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
  • Minimal ornamentation (little to no embellishment)
  • A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries. 

Finding the Right storage-case-pieces for You

Of all the antique and vintage case pieces and storage cabinets that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items. 

In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” — any furnishing that is unupholstered and has some semblance of a storage component — to blend into the background of any interior. 

Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson, Poul Cadovius and Finn Juhl. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space — and, in particular, walls — in new and innovative ways. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time. 

Although the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers — a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. The drawers served as perfect utensil storage. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The very history of storage case pieces is a testament to their versatility and well-earned place in any room. 

In the spirit of positioning your case goods center stage, decluttering can now be design-minded.

A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. Whether you’re seeking a playful sideboard made of colored glass and metals, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.