John Widdicomb Oriental Three Doors Credenza

In the Widdicomb family, furniture ran in the blood. Furniture maker George Widdicomb emigrated from England to the United States in 1845, eventually setting up a cabinet shop in Syracuse, New York, before moving west to Grand Rapids, Michigan. There, he opened a shop with his four sons, including John Widdicomb, whose name would help carry the family legacy into the 20th century.

A wealth of pine and oak forests rendered Grand Rapids a logging center during the 1800s, and it eventually gained recognition for its furniture industry. The city became a destination for furniture makers who hailed from across the United States and beyond. The Widdicomb shop in Grand Rapids prospered, as the patriarch’s formal English training allowed him to produce pieces with superior craftsmanship compared to those of his competitors. Although the Civil War halted business and took the life of one of the Widdicomb brothers, the family’s survivors would start anew as Widdicomb Brothers and Richards, soon renamed the Widdicomb Furniture Company.

John Widdicomb, however, split from the family business in 1897 to create the John Widdicomb Company, where he would go on to focus on Louis XV- and French Provincial-style furnishings. Chairs made in these styles have distinct characteristics, such as floral motifs carved in the frames and gently angled backrests. John's company also remained a family affair: The founder’s son, Harry, assumed control of the company when his father died in 1910, while John's nephew Ralph Widdicombe — who retained the English spelling of his last name and joined the John Widdicomb Company at its start — designed every single piece of the offerings at his uncle's manufacturing outfit until he retired in 1951. Ralph was an internationally distinguished furniture designer whose modern mahogany bedroom suite won first prize at the Paris Exposition in 1900.

The original iteration of Widdicomb, which was helmed by John's older brother William while John ran his own brand, had shifted from making period revival styles of furniture, such as Georgian and Chippendale, to manufacturing modern pieces in the late 1920s. Admirers of mid-century modern furnishings likely recognize Widdicomb for the partnerships with iconic designers such as Frank Lloyd Wright, T.H. Robsjohn-Gibbings and Mario Buatta. In 1959, master woodworker George Nakashima created his Origins collection for Widdicomb when the firm merged with Mueller Furniture Corporation and was known, for around 10 years, as Widdicomb-Mueller. Origins, a revered Shaker-influenced group of nightstands, upholstered lounge chairs, dining-room tables and more, saw Nakashima working with woods like Carpathian elm and laurel in his Pennsylvania studio.

Eventually, the two Widdicomb companies would combine in 1970, operating under the name John Widdicomb Co.

In 2002, the business closed after more than a century of operations, and its assets were acquired by Stickley Furniture. Interestingly, it was not the first time Widdicomb and Stickley overlapped: In the final years of the 19th century, the companies opened a shared storehouse in London, while John Widdicomb and Albert Stickley would travel Europe together for the purposes of research.

Today, Stickley continues to produce John Widdicomb Company furniture, including French, Italian, English and Russian reproductions, as well as modern works from the first half of the 20th century.

Find vintage John Widdicomb bedroom furniture, tables, case pieces and more on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Antique and vintage credenzas can add an understated touch of grace to your home. These long and sophisticated cabinet-style pieces of furniture can serve a variety of purposes, and they look great too.

In Italy, the credenza was originally a small side table used in religious services. Appropriately, credere in Italian means “to believe.” Credenzas were a place to not only set the food ready for meals, they were also a place to test and taste prepared food for poison before a dish was served to a member of the ruling class. Later, credenza was used to describe a type of versatile narrow side table, typically used for serving food in the home. In form, a credenza has much in common with a sideboard — in fact, the terms credenza and sideboard are used almost interchangeably today.

Credenzas usually have short legs or no legs at all, and can feature drawers and cabinets. And all kinds of iterations of the credenza have seen the light of day over the years, from ornately carved walnut credenzas originating in 16th-century Tuscany to the wealth of Art Deco credenzas — with their polished surfaces and geometric patterns — to the array of innovative modernist interpretations that American furniture maker Milo Baughman created for Directional and Thayer Coggin.

The credenza’s blend of style and functionality led to its widespread use in the 20th century. Mid-century modern credenzas are particularly popular — take a look at Danish furniture designer Arne Vodder’s classic Model 29, for instance, with its reversible sliding doors and elegant drawer pulls. Hans Wegner, another Danish modernist, produced strikingly minimalist credenzas in the 1950s and ’60s, as did influential designer Florence Knoll. Designers continue to explore new and exciting ways to update this long-loved furnishing.

Owing to its versatility and familiar low-profile form, the credenza remains popular in contemporary homes. Unlike many larger case pieces, credenzas can be placed under windows and in irregularly shaped rooms, such as foyers and entryways. This renders it a useful storage solution. In living rooms, for example, a credenza can be a sleek media console topped with plants and the rare art monographs you’ve been planning to show off. In homes with open floor plans, a credenza can help define multiple living spaces, making it ideal for loft apartments.

Browse a variety of antique, new and vintage credenzas on 1stDibs to find the perfect fit for your home today.