Seine Chandelier

Choose from an assortment of styles, material and more with respect to the seine chandelier you’re looking for at 1stDibs. A seine chandelier — often made from glass, metal and bronze — can elevate any home. There are 19 variations of the antique or vintage seine chandelier you’re looking for, while we also have 2 modern editions of this piece to choose from as well. There are many kinds of the seine chandelier you’re looking for, from those produced as long ago as the 18th Century to those made as recently as the 21st Century. Each seine chandelier bearing Art Deco, Louis XVI or mid-century modern hallmarks is very popular. A well-made seine chandelier has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Charles Schneider, Gubi and Le Verre Français are consistently popular.

The average selling price for a seine chandelier at 1stDibs is $4,317, while they’re typically $599 on the low end and $56,084 for the highest priced.

Iconic Danish furniture and lighting manufacturer Gubi was founded in Copenhagen by designer-couple Lisbeth and Gubi Olsen in 1967. The brand is celebrated globally for its innovative chairs, lighting fixtures, mirrors, sofas and other furnishings and decor. 

The company began as a platform to manufacture the textiles and furniture designed by Lisbeth and Gubi. Soon, the business model broadened. While recent contemporary pieces manufactured by Gubi such as GamFratesi’s Beetle chair have become darlings of today’s interiors, the company is also widely known as a leader in reissuing exquisite Scandinavian and other mid-century modern furniture by a range of design legends. 

Swedish architect and interior designer Greta Magnusson Grossman — the first woman to receive a prize for furniture design from the Swedish Society of Industrial Design — emigrated to the United States and built 14 homes in Los Angeles in the postwar era that were inspired by the Case Study Houses. She furnished these homes with her own designs, and her impossibly sleek Grasshopper table lamps and floor lamps — created for Barker Bros. but today made by Gubi — were frequent fixtures in the interiors. Another Scandinavian architect and industrial designer, Louis Weisdorf designed the wildly popular Multi-Lite line of lighting fixtures, which were originally created during the early 1970s and reissued by Gubi in 2016.

Beyond lighting, Spanish designer Barbara Corsini created the distinctively geometric Pedrera coffee table during the mid-1950s that is now made by Gubi, while the Hungarian-born French master of postwar design, Mathieu Matégot, created the Tropique dining table and an elegant three-legged Nagasaki chair, both of which were reissued by the Danish brand. French furniture designer Pierre Paulin created the inviting, organically shaped Pacha lounge chair in 1975. This design yielded a loveseat and a sofa as well. All of these pieces were reissued by Gubi.

Since 2001, Gubi founders’ son, Jacob Olsen, has managed the company, and travels the world to find heirs to the iconic designers of yesteryear in order to secure permission to give their works a second life. 

On 1stDibs, find Gubi lighting, seating, tables and more. 

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina, with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier. (Note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too.)

Chandeliers have evolved over time, but their classic elegance has remained unchanged.

Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes.

Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the natural world-inspired designs of the Art Nouveau era to the classic beauty of Paul Ferrante's fixtures, there is a style for every room.

With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs — shop a collection today that includes antique Art Deco chandeliers, Stilnovo chandeliers, Baccarat chandeliers and more.