William Lowe

Contemporary jewelry is inextricably linked with the moment in which it is created, frequently reflecting current social, cultural and political issues such as environmental consciousness, identity and sustainability. It’s informed by fashion trends, from the chokers of the 1990s to the large chain necklaces of the early 2000s.

Jewelry is one of the oldest forms of adornment. Lockets made of silver or gold have been treasured gifts for hundreds of years, for example, and charm bracelets, which have existed since prehistoric times, didn’t become especially popular until the 19th-century reign of Queen Victoria. For many centuries, fine jewelry was used primarily to express wealth or status through lavish materials. Then, in the 1960s, a concept known as the “critique of preciousness” emerged, with jewelers creating pieces that did not get their value from gemstones or precious metals. Instead, it was the jeweler’s artistic vision that was prized and elevated.

This shift still informs Contemporary jewelry being made by artists today. Whether they are using cheap, found materials and working with provocative geometric shapes or seeking out the rarest stones, they are imbuing their work with meaning through their skills, techniques and ideas. Innovative designers such as Elsa Peretti, who popularized sculptural sterling-silver jewelry for Tiffany & Co., and David Yurman, who twisted metal into the simple yet striking Cable bracelet, have also influenced the direction of Contemporary jewelry’s forms and aesthetics.

Meanwhile, technological advancements like metal alloys and laser engraving have led to new possibilities in jewelry design. Now, edgy makers and brands as well as minimalist designers are pushing Contemporary jewelry forward into the 21st century.

Find a collection of Contemporary rings, earrings, necklaces and other jewelry on 1stDibs.

From vibrant to subtle, elegant to cheeky, vintage and antique enamel jewelry and watches encompass a wide range of colors and styles, and there are almost as many techniques for creating these distinctive pieces.

Enameling is one of the oldest forms of surface decoration, used to add color to jewelry without having to rely on gemstones. Evidence of enameling goes back to ancient Greece. Throughout history, far-flung cultures favored different techniques. For example, cloisonné enamel was popular during the Byzantine Empire, while artisans living in France and Germany in the Middle Ages preferred champlevé. And Art Nouveau jewelry designers favored plique à jour.

At its core, enamel is the fusion of powdered glass to metal, and artists like enameling because it allows them to add a painterly or illustrative quality to their work.

Cloisonné (“cell” in French) is a technique in the creation of enamel jewelry that sees the use of thin wires of fine silver or gold to outline a design, which is then filled with enamel. The piece is subsequently placed in a kiln where the enamel is melted. Cloisonné is distinct because the individual wires remain visible, forming an outline of the motif.

Champlevé (“level field” in French) enamel is almost the opposite of cloisonné. In this technique, depressions in the metal are made by etching, engraving or chiseling, and then layers of enamel are built up until they rise slightly above the surface of the metal. The enamel is then fired and polished.

Guilloché is a technique in which translucent enamel is applied to a piece of metal that has had designs cut into it using a lathe. After the firing, the patterns on the metal become visible. Guilloché was made famous by Peter Carl Fabergé, whose jewelry house used the technique on many of its objets d’art as well as jewelry.

Find antique and vintage enamel rings, bracelets, necklaces and other accessories on 1stDibs.