Arthur Schulz Furniture

An early 20th century bentwood armchair in good original condition, manufactured by Thonet in Austria. Embossed seat with the bac...

Superb office / desk armchair with bentwood structure (beech) and caned seat. Manufacturer's stamp and label present. Art Nouveau, Bohemia (current Czech Republic), around 1900. By ...

'Blue' armchair by Eliel Saarinen 1929.. Beech, painted petrol blue and gold, black leather. Original condition, with minor signs of wear. Originally designed for the Cranbrook Acad...

A French Art Nouveau walnut armchair by Louis Majorelle, featuring sinuously curved arms and legs. The top of the chair is decorated with an intricately carved floral motif. It is up...

Elegant and sophisticated pair of tainted beech armchairs handmade by Pander & sons in the Hague in 1915. The two chairs, we also have the matching two seater sofa for sale, have bee...

Danish cabinetmaker: A pair of Art Nouveau mahogany armchairs with curved arms and front legs, upholstered with green fabric, 1920s.

The art nouveau armchair was made of bentwood. The seat has been reupholstered and covered with a very beautiful Art Nouveau fabric. The chair is reminiscent of Thonet chairs, but n...

Completely renovated in the recent past. Perfectly cleaned and polished with shellac.

Incredible Art Nouveau Game. The price includes the 3 armchairs 1 Sofa 2 Armchairs Material: Wood, reupholstered with springs and elastic band (as it was in the old days) We have specialized in the sale...

French Art Nouveau armchair by Louis Majorelle. Measures: Width 22", depth: 23", height: 35". In good condition.

A pair of Early 20th Century French Art Nouveau carved wood "Aubépine" armchairs by, Louis Majorelle. Both chairs are decorated on their back edges, arms, legs and skirt with carved hawthorn leaves and berry decoration upholstered in a off/cream white light snake pattern. circa 1905 Measurements: height: 32.25 in. (81.92 cm) x width: 36.75 in. (93.35 cm) x depth: 21 in. (53.34 cm) Condition: chairs are in overall very good condition with light wear. Fabric is not period. Literature: Similar chairs are pictured in: -Majorelle - Nancy: décorations d'INTÉRIEURS: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), and in: Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, New York: Harry N. Abrams, Inc., 1991, p. 200. -Alastair Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, pp. 167, 183 and 200 -Majorelle: Un Art de Vivre Moderne, exh. cat., Musée de l'École de Nancy, France, 2009, p. 130 Biography : Louis Majorelle, (France; 1859 – 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

French Art Nouveau armchair, circa 1900, by Leon Benouville in sculpted mahogany.