Furniture

Pendant by Josef Frank for Svenskt Tenn, model 2560. This lamp comes with a rare counter weight that originally came with this model. Condition: Very good condition with new shade.

Pleased to offer a great collection of 8 Mid Century Modern Herman Miller Eames DSS stacking chairs in elephant hide grey. These chairs are in...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

For your consideration is this authentic Eames for Herman Miller vintage soft pad chairs in dark brown leather. Adjustable tilt and height with manual lift. These authentic examples ...

This is an Eames Aluminum Group Lounge Chair & Ottoman in tan leather. Two sets are available, though the price listed is for each set. The set is in very good to excellent condition...

Listed for sale is a very rare and marvelous EC175-8 chair, designed by Charles and Ray Eames, produced by Herman Miller. This is one of the more unique and later Eames designs, buil...

This is a set of four DKR-2 wire dining chairs, designed by Charles & Ray Eames for Herman Miller in 1951. This particular set of four chairs dates to circa 1958. They have steel wir...

For your consideration are up to 5 Aluminium Group Management chairs in black mesh designed by Eames for Herman Miller. These are the most comfortable of all Eames aluminum Group cha...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

A complete set of molded plywood dining chairs designed by Charles Eames and produced by Herman Miller. These feature beautifully grained ...

Set of six dining chairs model 2027 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany, leather and brass. Josef Frank developed his characteristic style combining e...

Vintage Design Nelson Swivel Pedestal Stool for Herman Miller, 1960s Stool from the Pedestal series by George Nelson, with cover in playful orange vinyl. Nice and compact seat that ...

Floor lamp model 2564 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. White lacquered brass and Lacquered Paper. Stamped. This elegant brass floor lamp is adjustable in h...

The Eames Lounge Chair and Ottoman, designed by Charles and Ray Eames, is a timeless and iconic piece of furniture that embodies comfort, crafts...

Ask for custom shipping quote For sale are these authentic Eames for Herman Miller Aluminum Group chairs in premium plush black leather with high-backs. An icon of Mid Century Moder...

Iconic Isamu Noguchi (1904-1988) for Herman Miller. coffee / cocktail table . The table has a triangular glass top that rests on a cherry tone base that consists of two sculpted so...

George Nelson thin edge for Herman Miller Rosewood 5 drawer Dresser, 1950. Restored and absolutely beautiful. The other dresser and pair nightstands is sold in separate listing. Meas...

George Nelson Thin Edge for Herman Miller Rosewood Dresser, 1950. Other dresser and nightstands are all sold in separate listings. Dresser measures 39.5" tall 39.75" wide 18.5" deep

Table lamp model 2467 designed by Josef Frank. Produced in Sweden by Svenskt Tenn. designed in 1938, this piece of a later manufacturing. Brass and original shade re-sewn with single...

Original Eames sofa compact with orange Herman miller woven upholstery. Charles and Ray Eames compact couch is great design that keeps a subtle profile. The cushioned pads that form ...

Handsome classic Eames lounge chair and ottoman. Executed in rosewood and black leather. Cast aluminum bases, with adjustable “domes of silence” leveling glides. Extremely comfortabl...

George Nelson for Herman Miller teak and upholstered dining chairs. We also have the matching dining table, please inquire for details. All items ar...

Charles and Ray married in 1941 and moved to California where they continued their furniture design work with molding plywood. During the war they were commissioned by the Navy to produce molded plywood splints, stretchers and experimental glider shells. In 1946, Evans Products began producing the Eameses' molded plywood furniture. Their molded plywood chair was called "the chair of the century" by the influential architectural critic Esther McCoy. Soon production was taken over by Herman Miller, Inc .,who continues to produce the furniture in the United States to this day. Another company, Vitra International, manufactures the furniture in Europe. The Eameses continued to create new furniture designs into the 1970s. 1 (1) Herman Miller Eames Fiberglass Arm Shell on Walnut Swivel Bar Stool...

George Nelson was a pioneering modernist who ranks with Raymond Loewy, Charles Eames, and Eliot Noyes as one of America's outstanding designers. Beside being a leading designer and n...

Eames for Herman Miller Mid Century Walnut Time Life Stool This stool measures: 13 wide x 13 deep x 15 inches high All pieces of furniture can be had in what we call restored vinta...

An elegant and charming Viennese modernist brass chandelier with three arms, designed by Josef Frank. In very good condition, it has still its original lampshades.

Very nice soft pad office chair model EA335 produced by Herman Miller. The chair features a polished aluminium frame and was made in the early 2000s. The chair is height adjustable...

For your consideration up to 6 Aluminum Group chairs in black leather designed by Eames for Herman Miller. All in very good original condition showing minimal wear. Much better than ...

A gorgeous and rare table lamp model 'Tisch-Überall' no. 1092 designed by Josef Frank in 1934 or earlier for Haus & Garten. The offered piece was manufactured by J.T. Kalmar, Vienna,...

Rare, beautiful wall light by Josef Frank, made from brass with a slender stem suspending a voluminous lamp shade. Adjustable height.

This rare pair of table lamps was designed by Josef Frank and produced by Svenskt Tenn in Sweden in the 1950s. The lamps are marked with the model number 2467/2 on the bottom of the base. This model is no longer in production and was also featured in the 1950s Svenskt Tenn catalogue . The design is marked by the organic base in a propeller shape. The base is resting and slightly raised on three legs. The base and tubular central stem are all in polished brass. The empire shades have been renewed in an ivory, linen textured fabric which offers a nice contrast with the gold brass. Later light fittings...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

For your consideration are a set of 6 Eames side chairs upholstered in gorgeous fabric. Elegance and comfort separates this iconic chair from the rest. The upholstery is in wonderful...

George Nelson thin edge double dresser, chest, Santos Palisander, Herman Miller. In 1944, Life magazine published an extensive article...

Classic Eames lounge chair and ottoman manufactured by Herman Miller. Circa 1990s production in elegant cherry finish. Warm wood tones and even finish. This was only produced for a s...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Unusual pair low slung slipper lounge chairs attributed to Peter Protzmann for Herman Miller.. Amazing original condition. Superior quality and construction. Retains its original Kno...

For your consideration are these authentic Eames for Herman Miller vintage soft pad chair in white leather. Adjustable tilt and height with manual lift. This authentic vintage exampl...

Easy chair 891 designed by Josef Frank for Firma Svenskt Tenn in 1937. Made from solid mahogany, reupholstered in a striking zebra-striped textile. The Austrian architect Josef Frank...

This authentic molded plywood DCW (Dining Chair Wood Base) dining chair by Charles and Ray Eames for Herman Miller is expertly crafted from red-stained ash molded plywood and feature...

Classic Eames Time Life chair for Herman Miller in light grey leather with a polished aluminum frame and legs made in Los Angeles, CA. Originally designed in 1960 by Charles and Ray Eames for use in the lobby of the Time Life building in New York. Recently re-upholstered in gray leather, in-keeping with the color and integrity of other Time-life models. Some slight blemishes to the aluminum frame in-keeping with age. Chair's height and recline is fully adjustable and also swivels 360 degrees. Timeless chair. In 1972, the Time-life chair made the news when notoriously fussy chess genius Bobby Fischer included this chair among his many demands for his legendary 1972 world championship match with Russian master...

Please feel free to reach out for efficient shipping to your location. Walnut Dining Chair Wood (DCW). Designed by Charles and Ray Eames for the Molded Plywood Division of Evans Pro...

c. 2010s. Leather seat with aluminum group base and caster. Note- piece is missing on bottom so when lifted the chair comes off base. Does not affect function.

Arguably the most iconic Midcentury design ever produced, the Eames 670 /671 chaired ottoman remain as important and relevant today as when it was first introduced. This example feat...

A square dining or game table with an ash top, on folding steel legs. Model DTM.

Herman Miller Aeron Ergonomic Side Chairs, Black Tubular Metal Frames & Mesh Offered for sale is a pair of Herman Miller "Aeron" ergonomic side ...

George Nelson for Herman Miller 72" Slatted Platform Bench, 2002. Classic and timeless, this George Nelson bench has just the right amount of 20+ years of great honey colored patina...

Tandem Base and Table without shells. Show signs of use. 35 cm H incl the height of the bar of the base/ 40 incl the top of the seat support/ 42 cm incl the top of the table top su...

Original Eames Lounge Chair & Ottoman finished in Brazilian rosewood and black leather for Herman Miller. Nice example exhibiting attractive figuring to the rosewood veneers and ori...

Charles and Ray Eames design for Herman Miller. RAR ( Rocking Arm steel Rod ) chair. Late 1950s production chair second generation shock mounts . Date stamp looks to be 1958 . Fine ...

This authentic Eames for Herman Miller Soft Pad Management Height brown leather office chair from the Aluminum Group Collection was manufactured in the 2000s. This classic mid centur...

Herman Miller, Mid-Century Modern, Eames Lounge Chair, Ottoman, USA, 1960s A vintage Herman Miller lounge chair with matching ottom...

George Nelson for Herman Miller Mid Century Extra Long Contract Bench with Planter Box This bench measures: 101 wide x 20.5 deep x 16.75 high All pieces of furniture can be had in ...

Vintage eames swivel/desk chair ea108 in brown fabric upholstery on an aluminum base. Good condition Labelled 'Herman Miller' 1970s - USA Dimensions: Height: 85cm Width: 52cm De...

Fantastic vintage Herman Miller tall dresser created by legendary American designer George Nelson. Featuring six ample pull-out drawers, this is the ultimate storage solution for any...

Set of 6 Verner Panton chairs in white lacquered molded ABS. Publisher's imprint under the seat. Herman Miller edition for Fehlbaum 1971 (except one from 1973). Bibliography: Peter...

A great set of 6 solid teak ladder back dining chairs by Svegards Markaryd. Chairs are burnt marked Svegards Markaryd made in Sweden. Priced per chair. Multiples of 2 may be purchased. These items are located at our Los Angeles Arts District gallery...

A stunning combination of an iconic design this vintage 1970's Eames lounge chair and ottoman is in Rosewood with white leather. It was purchased in the mid 1970's and bears the firs...