Lighting

One of a pair of vintage, minimalist German made wall or ceiling flush mount light fixtures by Glashütte Limburg, circa 1970s. The simple, yet striking, clean lined minimalist design...

Pair of circa 1920's French blue opaline glass table lamps. Measurements: Height of body: 14" Height to shade rest: 23" Diameter: 5.25"

Great Condition

Louis XV style gilt bronze pendant or chandelier with a Rococo influence. Frosted glass rose bud shades on 5 scrolled arms with foliate details. Uses 5 candelabra size bulbs, newly w...

Pair of French circa 1940's molded glass light fixtures. Sold Individually Measurements: Drop: 7" Diameter: 8.75"

The lamp is shipped safely unscrewed. 5x E27 sockets. Works with 220V and 110V. Our lamps are tested, cleaned and suitable for use in the USA.  

This is an original piece made in 1930’s Czechoslovakia. A striking dominant floor lamp, with super sized proportions. A large copper headlight that is adjustable, supported by a sta...

French Art Nouveau Desk Lamp A beautiful and elegant swan-shaped desk lamp, featuring flowers and leaves, which are classic motifs from the Ar...

All Original Pair of Circa 1940's Art Moderne 10 Light Chandeliers. Ten sided gilt metal bodies with transparent gold plastic panels. Ten candelabra base light sockets on the interio...

Sonover stands for: Societe Normande de Verrerie. The sphere can be loosened from the base. Height: 18 cm. Ø: 14 cm. Height of sphere: 13 cm. This lamp has a bayonet bulb holder wit...

Lampadario con pendenti in vetro e struttura in metallo dorata. Anni '60 circa. I pendenti si presentano sorretti da una struttura in metallo e sono formati da una coppia di vetri ri...

Pair of gilded iron wall lights decorated with crystal or glass decorated with flowers and leaves, two sconces, Maison Baguès Circa 1970 Good condition Width: 28 cm Height: 57 cm Dep...

Our heavy brass ship's light comes from a Korean vessel, and has been up cycled into a beautiful room light , wired for domestic use, which can be floor mounted or could be attached ...

A Very Fine Silver over Bronze & Alabaster Chandelier in the Louis XVI taste featuring turned & hand cut alabaster dome & shades (12). 16 lights (4 inside dome, 12 lighted arms) Fra...

Coppia di applique da parete in vetro di Murano disegnate da Carlo Nason e prodotte da Mazzega negli anni '60. La struttura delle applique è in acciaio cromato e hanno quattro sfacce...

Antique Black Lacquered Elephant Lamp on Stand with Original Shade, Circa 1900.

Iconic table lamp produced by the Franta Anýž Company and designed by Jaroslav Anýž, his son in early 1930s. This desk lamp is renowned for its distinctive joints, patented to allow the lampshade to pivot in any direction, with adjustable height. Franta Anýž, an influential figure in Czech design, studied at the Academy of Arts, Architecture, and Design in Prague. His notable achievements include work at Pragotron, camera design for Flexaret, and winning a gold medal at the Salon International des Inventions in Geneva in 1965 for his Beta 21 watch...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Rare early 1900s cast commercial bronze combination gas electric pendant. The quality on this light is incredible and it would have been in a prominent building like a bank or public...

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

French Mid Century Ceiling Light with Three Floral Shades   This delightful French Three Light bronzed ceiling light features th...

Pair of glass wall lights by Danish designer Svend Aage Holm Sørensen (1913-2004), dating back to the 1950s. The diffuser features a set of thick amber and yellow glass rectangles. I...

Lampiatta model hanging lamp designed by De Pas, D'Urbino, Lomazzi, in 1971 for Stilnovo. The lampshade is made of metal painted white both inside and outside. It bears the original ...

Chrome-plated metal desk lamp by designer Etienne Fermigier for Disderot, 1970s. Visible signs of wear, as shown in the photos, to be noted. LP1268

A beautiful and very impressive large vintage brass table lamp. This was made in England, it dates from around the 1960’s. The beaten brass ...

Rare Yasha Heifetz Mounted Lavender Glazed Ceramic Nautilus Shell Lamp, Circa 1950s. A beautiful biomorphic rendering of a nautilus shell with mottled...

Mid-Century Ceiling Lamp, 1960s

1 of 3 Mushroom Shaped Glass Lamp in Chrome, Germany 1960s Dimensions Height: 7.08 in. (18 cm) Diameter: 10.23 in. (26 cm) The fixture need 1 x E27 standard bulb with 60W max. Lig...

1930’s schoolhouse milk glass flush mount fixture. Glass is a variation of the traditional schoolhouse shade style. Mounted on a new fixture, satin a...

Sylcom Murano production, set of three Murano Graniglia glass appliques, each composed of three leaves, each applique is equipped with two lamp holders for E14 bulbs, we can make the...

Flygsfors Glass Factory Flygsfors Glasbruk was a glass factory in Flygsfors in Nybro municipality, founded in 1888 and closed in 1979. It was started in Flygsfors in 1863 as a hammer...

Tell me if you've ever in your life seen a pair of crystal chandelier style lamps that didn't immediately make you think of Marilyn Monroe's earrings? I surely can't be the only one!...

1960s Perforated Brass Cylindrical Pendant Attributed to Mauri Almari for Idman. A quintessential example of Finnish design, these pendants are...

"Parola" table lamp from Studio Tetrarch, 1968 Bibliography: Casa Amica by Giuliana Gramigna.

Svend Aage Holm Sørensen (1913-2004), Very nice and subtle grasshopper shaped floor lamp designed by Svend Aage Holm-Sørensen, manufactured by Holm Sørensen & Co, Denmark 1950. This ...

This elegant chandelier "Morsiuskimppu" or "Bridal bouquet" model 9029/5 is designed by Paavo Tynell (1890-1973) for Taito. It is polished brass with leaf and flower decorations. F...

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

A Nice Early 20th Century Gilt Bronze and Glass Plafonnier Item # 7950 Sunburst top with a spiral glass shade.

Postmodern table lamp produced by Brilliant Leuchten AG in the 1980s magnetic eyeball. Very original table lamp produced by Brilliant Leuchten AG in black and white plastic materia...

Pair of silver-plated bronze sconces with alabaster tube. By Genet & Michon. France, CIRCA 1920. Guillaume Janneau (1992), "Le Luminaire". p-57

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

Pair of Riviera style mini table lamps with original vintage shades, France circa 1950's.

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

This awesome pair of original mid century light shades have a particularly architectural look to them! Dating from the 1960s, they’re constructed from sheet metal which has been cut ...

Mid-Century Modern Pendant Lamp by Achille Castiglioni , Italy, 1960s.

Pendant light chandelier, France, midcentury Iron and brass. This lamp from the 60s has been brought up to date with a recently created bulb. This can be rewired to USA, UK and E...

Mid-Century Modern Glass Wall Light/ Ceiling light, 1960s

Original Italian Sconce in the style of Stilnovo with ivory shade. The length of the sconce is articulated. Italy 1960s.

Mid-Century Modern Pair Of Candlestick Table Lamp, Crystal, 1930s

small chandelier in lacquered sheet metal, Italy circa 1950/1960 some paint missing

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

Pair of 1950s Italian gilt metal and olive green light fixtures. Single light. Sold individually. Measurements: Drop:17" Diameter:4.5"

A fine & elegant small bronze & crystal pendant. Bronze ring & bottom plate. Graduated faceted crystal bead chains & bottom finial. France, circa 19...

Ceiling lamp in opaline glass and brass details, with elliptical geometry.

This Space Age pendant light was manufactured and designed during the 1960s in Germany. It is made of amber bubble glass and has got a brass cylinder. The lamp comes without canopy. ...

Philips desk lamp dating from the 1950s. Inspired by Charlotte Perriand in the way she designed objects that met the needs of life and were accessible to the greatest number of peopl...

One of the ten beautiful and elegant modern brass wall lights or sconces, manufactured by J.T. Kalmar Austria in the 1970s. Lovely design, executed to a very high standard. Each w...