Engraving Prints and Multiples
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Medium: Engraving
Nativity in the Desert - Engraving by Corrado Cagli - 1970
Located in Roma, IT
Engraving on gold plate on a silver base.
Signed by the author and numbered.
Edition of 3.000.
Very good condition.
Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...
Category
1970s Contemporary Engraving Prints and Multiples
Materials
Engraving
King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
Located in Saint Augustine, FL
Artist: George Vertue (English, 1684-1756)
Title: "King Henry VII"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued u...
Category
1730s Baroque Engraving Prints and Multiples
Materials
Engraving, Laid Paper, Intaglio
Noé
Located in Ciudad de México, MX
Damian Lescas' work is multi-sensory, imaginative, explosive, and vibrant in color. But, as if that were not enough, the master demands a lot from the vi...
Category
20th Century Contemporary Engraving Prints and Multiples
Materials
Cotton, Paper, Engraving
Greville Smyth Pine, Limited edition print, Landscape, Tree, Nature art
Located in Deddington, GB
A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Drypoint, Etching
Planiglobii Terrestris Mappa Universalis / Mappe Monde
By Homann Heirs
Located in New York, NY
This map was printed from a copperplate engraving in 1746. The printed image size is 18.25 x 21.75 inches (46.3 x 55.2 cm) plus margins.
An attractive double hemisphere map...
Category
18th Century Other Art Style Engraving Prints and Multiples
Materials
Engraving
PHOEBE PASSES MY GATE
Located in Portland, ME
Hutty, Alfred. PHOEBE PASSES MY GATE.
Drypoint, c. 1931. Edition size c.75.
8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet).
Print...
Category
1930s American Realist Engraving Prints and Multiples
Materials
Drypoint
John Knox House in Edinburgh
Located in Middletown, NY
London: Fine Art Trade Guild, c1900.
Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...
Category
Early 20th Century English School Engraving Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
QUARTER OF NINE - SATURDAY'S CHILDREN
By Martin Lewis
Located in Portland, ME
Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...
Category
1920s Engraving Prints and Multiples
Materials
Drypoint
Christ's College, Cambridge, engraving after David Loggan
Located in London, GB
After David Loggan (1634 - 1692)
Christ's College, Cambridge
Engraving
40 x 46 cm
An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engrave...
Category
Early 18th Century Realist Engraving Prints and Multiples
Materials
Engraving
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cyclopean makeup, Imaginations and Objects of...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
Salvador Dali - La Fontaine Portrait - Handsigned Engraving
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - La Fontaine Portrait - Handsigned Engraving
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper
Referenc...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Set of Three Engravings from "The British Sportsman" /// Osbaldiston Animal Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Titles: "Coursing" (Plate 3), "Hawking" (Plate 7), and "Hare Hunting" (Plate 8)
Portfolio: The British Sport...
Category
1790s English School Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Introduktion - Vintage Héliogravure by Franz von Bayros - Early 20th Century
Located in Roma, IT
"Introduktion - Incipit Redemptio" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – V...
Category
Early 20th Century Symbolist Engraving Prints and Multiples
Materials
Engraving
Abstract Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century.
In very good conditions.
The artwor...
Category
Mid-20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
PLONGEON
Located in Portland, ME
Hayter, Stanley William (English, 1901-1988). PLONGEON. B/M 374. Engraving and soft-ground etching in colors, 1974. 23 x 19 1/4 inches; 583 x 460 mm. (plate), 29 3/4 x 22 inches (sh...
Category
1970s Engraving Prints and Multiples
Materials
Engraving, Etching
Salvador Dalì (1904–1989) - The Horse and the Wolf-drypoint etching with stencil
Located in Varese, IT
drypoint etching with stencil on extremely fine Japanese paper , Edited in 1974
Limited edition, numbered 245/250 in lower left corner.
Signed in pencil by artist in lower right corn...
Category
1970s Abstract Engraving Prints and Multiples
Materials
Drypoint, Etching
Don Quichote - Etching, Aquatint and Drypoint by F. Braquemond - 1860
Located in Roma, IT
Don Quichote is an original etching, aquatint and drypoint, frontispiece for La Gazette des Beaux Arts, realized by Frenc artist Félix Henri Bracquemond...
Category
1860s Engraving Prints and Multiples
Materials
Etching, Drypoint, Aquatint
Portrait of Oedipus - Etching by Giacomo Manzù - 1968
Located in Roma, IT
The Portrait of Oedipus king is an original etching realized by Giacomo Manzù in 1968.
Racocin Press inc New York, Officina Bosoni Verona.
Numbered on the lower left. Ed. 38/105.
...
Category
1960s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Libertinia, from Imaginary Places
By Frank Stella
Located in London, GB
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...
Category
Late 20th Century Abstract Engraving Prints and Multiples
Materials
Engraving, Etching, Aquatint, Lithograph, Screen
Awakening
Located in Fairlawn, OH
Each print signed and numbered in pencil by the artist
Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals
Image...
Category
1980s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Composition is an original print in etching and drypoint on paper realized by an anonymous artist of the mid-20th Century.
In very good conditions.
The artwork created through conf...
Category
Mid-20th Century Abstract Engraving Prints and Multiples
Materials
Drypoint, Etching
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Engraving Prints and Multiples
Materials
Engraving, Archival Paper, Etching
Celestial Nymph I
Located in New York, NY
Elyse Ashe Lord (1900-1971), Celestial Nymph I, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 8 1/4 x 10, the sheet 17 x 13 1/2 inches.
A fine impression, with strong color and plate tone on the nymph and surrounding decorations, and with pencil additions in various places on the nymph by the artist (using the same pencil as with signing). Printed on a light laid ivory Japan paper.
Provenance:
Kennedy Galleries, New York (with their stock number A 32064)
Elyse Ashe Lord developed her unique artistic style exclusively around oriental subject matter. Her art was inspired by both Chinese art and various aspects of oriental culture. Although E.A.Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the sources for her images. The highly individual style which Elyse Lord created reflects both this source material and the influences of Art Deco and early 1920’s fashion.
In particular, Elyse Lord is unusual in combining the technique of drypoint with woodcut colour printing. She uses the drypoint design almost as the Japanese would have used a key block in multiple block colour printing. The colours would then be added by over-printing the drypoint design using colour-inked wood blocks, precisely as displayed by this unique series of progressive proofs. Elyse Lord would always supervise the difficult process of printing her plates and blocks, in person. [I am indebted to Michael Campbell...
Category
1930s Other Art Style Engraving Prints and Multiples
Materials
Drypoint, Etching
Mein Weg mit dem Weib - Original Etching by W.R. Rehn
Located in Roma, IT
Etching and aquatint on cream paper.
Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints.
Plate in excellent co...
Category
1910s Symbolist Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Degas, Devant la Cheminee, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 9.125 x 12.25 inches; image size: 6.5 x 9 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vol...
Category
1940s Impressionist Engraving Prints and Multiples
Materials
Engraving
$716 Sale Price
20% Off
THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...
Category
1790s Naturalistic Engraving Prints and Multiples
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Purslane-leaved Aizoon. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Aizoon Canariense - Purslane-leaved Aizoon'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by ...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Prospectus Cantabrigiae Orientalis & Occidentalis
Engraving
32 x 46 cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Torse, Fond à Losanges - Drypoint on China by H. Matisse, 1929
Located in Roma, IT
Image size: 8.6x13.9 cm.
Original drypoint on Chine Appliqué realized by Matisse in 1929 in an edition of only 25 prints.
Signed and numbered in pencil lower right.
Excellent conditi...
Category
1920s Fauvist Engraving Prints and Multiples
Materials
Drypoint
191j24011 (Abstract print)
Located in London, GB
Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed.
Pierre Muckensturm added printmaking to his oeuvre since 2010.
The engraving and printing process allows him ...
Category
2010s Abstract Engraving Prints and Multiples
Materials
Paper, Ink, Engraving
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Aquatint
untitled (Duck taking to flight, flushed by a dog)
Located in Fairlawn, OH
untitled (Duck taking to flight, flushed by a dog)
Drypoint & Aquatint, c. 1940
signed lower right
Created while the artist was a commercial artist working in Minneapolis, after his ...
Category
1940s American Realist Engraving Prints and Multiples
Materials
Drypoint
Contrepoints
Located in Paris, FR
Engraving, 1977
Handsigned by the artist in pencil and annoted EA
63.00 cm. x 91.00 cm. 24.8 in. x 35.83 in. (paper)
58.00 cm. x 76.00 cm. 22.83 in. x 29.92 in. (image)
LCD4019
Category
1970s Abstract Engraving Prints and Multiples
Materials
Engraving
Dropping In
Located in Fairlawn, OH
Dropping In
Drypoint, c. 1940
Signed lower right (see photo)
Titled lower left
Condition: Excellent
Brown paper tape around the sheet edges from
the printing and air dryi...
Category
1940s American Realist Engraving Prints and Multiples
Materials
Drypoint
Mein Weg mit dem Weib #13 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper.
Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category
1910s Symbolist Engraving Prints and Multiples
Materials
Drypoint, Aquatint
The Aurelian, A Natural History English Moths Butterflies Plate XXVII 1778 ed.
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 )
The Aurelian, A Natural History of English Moths and Butterflies
Hand colored engraving – Plate XXVII
1778 edition
Plate XXVII is from The A...
Category
1770s Engraving Prints and Multiples
Materials
Engraving
Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
"Phytanthoza Iconographia", c1737-1745.
A wonderful selection of yellow and blue flowers: hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", presented in hand-m...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785)
Title: "Eagle" (Plate V - 5)
Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds)
Year: 1767-1776
Medium: Original Hand-Colored Engraving on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy
Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588
Sheet size: 16.75" x 14.5"
Platemark size: 13.63" x 10.88"
Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet.
Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa.
Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...
Category
1770s Old Masters Engraving Prints and Multiples
Materials
Watercolor, Engraving, Handmade Paper, Laid Paper, Intaglio
St John's College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
No title
Located in Paris, FR
Engraving
Handsigned by the artist in pencil and numbered 13/99
LCD5394
Category
1970s Abstract Engraving Prints and Multiples
Materials
Engraving
Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Beim Kornpuppenbinden (Corn Husking)
By Lesser Ury
Located in New York, NY
Lesser Ury (German, 1861–1931), Beim Kornpuppenbinden, drypoint, 1923, signed in pencil lower right and numbered 45/100, from the edition of 100. Reference: Rosenbach 17, only state...
Category
1920s Expressionist Engraving Prints and Multiples
Materials
Drypoint
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.42 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
Late 18th Century Engraving Prints and Multiples
Materials
Engraving
G. Stodart after Helen Allingham - 1880 Engraving, The Young Customers
Located in Corsham, GB
A charming depiction of two young children sat at a shop counter. One girl clutched a doll whole the other soothes our the ruffles of her shawl with a flat iron. From behind the coun...
Category
Late 19th Century Engraving Prints and Multiples
Materials
Engraving
$244 Sale Price
20% Off
'Portrait of a Young Woman' original Hollar engraving after Hans Holbein
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...
Category
17th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
Set of Four Gourds
Located in London, GB
Set of 4 double-page mezzotint engravings, printed in colour and finished by hand.
[Published: H. Lentz and H.G. Neubauer, Regensburg, 1737].
An attractive collection of fine plates...
Category
1730s Naturalistic Engraving Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87)
Portfolio: Vitruvius Britannicus; or The British Architect, Co...
Category
1710s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching
Southwark Cathedral engraving c. 1753 for Stow's Survey of London
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
1750s Realist Engraving Prints and Multiples
Materials
Engraving
Study of Turnstones.
By Frank Benson
Located in New York, NY
Frank Benson made this drypoint in 1928. The second state of two.
A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff.
Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Early 20th Century American Realist Engraving Prints and Multiples
Materials
Drypoint
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Engraving
BATTLE STATIONS
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). BATTLE STATIONS. Engraving, 1941. 9 x 6 7/8 inches (plate), 12 1/2 x 8 3/8 inches (sheet). Signed, titled and dated in pencil, and inscribed ...
Category
1940s Engraving Prints and Multiples
Materials
Engraving
David Loggan: Magdalen College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Magdalen College, Oxford
Engraving, 1674
32 x 42cm
To see our other views of Oxford and Cambridge, scroll down ...
Category
17th Century Engraving Prints and Multiples
Materials
Engraving, Etching
Leonard R. Squirrel (1893–1979) - Early 20th Century Mezzotint, Notre Dame
Located in Corsham, GB
This charming mezzotint depicts the façade of Notre Dame in Paris. Signed in graphite below the plate lines. On paper.
Category
Early 20th Century Engraving Prints and Multiples
Materials
Mezzotint
Amulet in Crowd
Located in Bristol, GB
Drypoint, on Chine collé to Hahnemühle Copperplate paper
Edition 9 of 35
48.3 x 40.6 cm (19 x 16 in)
53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in
Signed, numbered and dated on the front
Min...
Category
21st Century and Contemporary Contemporary Engraving Prints and Multiples
Materials
Drypoint
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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