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Medium: Engraving
Le banc de jardin (The Garden Bench)
Located in Fairlawn, OH
Le banc de jardin (The Garden Bench)
Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883
Signed in the plate (see photo)
Condition: Brilliant impression...
Category
1880s Impressionist Engraving Prints and Multiples
Materials
Mezzotint
Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Salvador Dali "The Fiancee of King of Garbe"
Located in Boston, MA
Artist: Dali, Salvador
Title: The Fiancee of King of Garbe
Series: Le Decameron
Date: 1972
Medium: drypoint printed in color
Unframed Dimensions: 17.72" x 12.2"
Framed Dimension...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint
$2,160 Sale Price
20% Off
David Loggan: Magdalen College, Oxford (1674 engraving)
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Engraving of Magdalen College, Oxford
Engraving, 1674
32 x 42cm
To see our other views of Oxford and Cambridge, scroll down ...
Category
17th Century Engraving Prints and Multiples
Materials
Engraving, Etching
Antoine de Marcenay de Ghuy, after Joseph Parrocel - 1755 Engraving, The Battle
Located in Corsham, GB
A dramatic 18th century engraving showing a brutal and bloody battle scene. The engraving is by Antoine de Marcenay de Ghuy, after Joseph Parrocel. There is an inscription at the low...
Category
18th Century Engraving Prints and Multiples
Materials
Engraving
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Profile Bust of a Girl - Woman's Head in Profile (Havard)
Located in Fairlawn, OH
Profile Bust of a Girl - Woman's Head in Profile (Havard)
Drypoint, 1920
Unsigned (as issued)
From: The Drypoints of Elie Nadelman, 21 unpublished prints by the sculptor, proof from ...
Category
1920s American Modern Engraving Prints and Multiples
Materials
Drypoint
Signed and numbered Salvador Dali drypoint and etching on japan paper
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989)
Immortality of the Itinerant Insect, 1973
Signed and numbered ‘XIII / L (lower left) and ‘Dali’ (lower right)
Drypoint with etching and heliograv...
Category
20th Century Surrealist Engraving Prints and Multiples
Materials
Etching, Drypoint
Corpus Christi College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Merry-Go-Round
Located in New York, NY
Reginald Marsh (1898-1954), Merry-Go-Round, etching and engraving, 1938, signed in pencil lower right and inscribed Forty Proofs lower left, [also signed in the plate lower left and inscribed SC]. Reference: Sasowsky 179, fourth state (of 4). In good condition, with margins (a paper loss upper right corner well outside of the platemark, stains from prior hinging, notations in pencil lower margin edge). 10 x 8, the sheet 11 1/2 x 9 1/8 inches.
A very good impression, printed in black on a wove paper with a partial FRANCE watermark.
Sasowsky notes that Marsh printed 15 impressions of this state (and only one or two of the prior states), and considered only 10 of the 15 valuable. His notation “Forty Proofs” is therefore surely an expression of a hoped-for edition size, as opposed to an actual edition size. We have found this quite often the case with Marsh prints – he indicates an edition size but the actual number of impressions printed is considerably smaller.
There is an eerie, almost ominous note in this, as in several of Marsh’s merry-go-round prints...
Category
1930s American Realist Engraving Prints and Multiples
Materials
Engraving, Etching
"Kvetch" monoprint in oil with collage, engraving and embossment by Mel Bochner
By Mel Bochner
Located in Boca Raton, FL
"Kvetch" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing. Signed and dated Bochner 2021 lower right recto. I...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Oil, Handmade Paper, Engraving
Beim Kornpuppenbinden (Corn Husking)
By Lesser Ury
Located in New York, NY
Lesser Ury (German, 1861–1931), Beim Kornpuppenbinden, drypoint, 1923, signed in pencil lower right and numbered 45/100, from the edition of 100. Reference: Rosenbach 17, only state...
Category
1920s Expressionist Engraving Prints and Multiples
Materials
Drypoint
Antique European School Engraving Portrait of a Woman with Water Jug
Located in San Francisco, CA
Antique European School Engraving Portrait of a Woman with Water Jug
A beautiful young woman taking a break from collecting water
Original antiq...
Category
Early 20th Century Impressionist Engraving Prints and Multiples
Materials
Engraving
Daylilies, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Daylilies is a haunting meditation on memory, mortality, and the layered complexity of personal and cultural history. Like much of Milton’s work, the print operates le...
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Engraving, Etching
John Duke of Somerset /// Medieval Knight Soldier Warrior Sword Spear Pike Art
Located in Saint Augustine, FL
Artist: Samuel Rush Meyrick (English, 1783-1848)
Title: "John Duke of Somerset" (Vol. 2, Plate XLIX)
Portfolio: A Critical Inquiry into Antient Armour
Year: 1824 (First edition)
Medi...
Category
1820s Old Masters Engraving Prints and Multiples
Materials
Watercolor, Engraving, Aquatint, Intaglio, Etching
Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
"Phytanthoza Iconographia", c1737-1745.
A wonderful selection of yellow and blue flowers: hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", presented in hand-m...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
BATTLE STATIONS
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). BATTLE STATIONS. Engraving, 1941. 9 x 6 7/8 inches (plate), 12 1/2 x 8 3/8 inches (sheet). Signed, titled and dated in pencil, and inscribed ...
Category
1940s Engraving Prints and Multiples
Materials
Engraving
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Engraving
'Portrait of a Young Woman' original Hollar engraving after Hans Holbein
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...
Category
17th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Triptych of Three Monumental Etchings by Mimmo Paladino
Located in Long Island City, NY
A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black.
Artist: Mimmo Paladino
Title: Si...
Category
1990s Abstract Expressionist Engraving Prints and Multiples
Materials
Gold Leaf
Fresh Gathered Peas: An 18th C. Engraving From the Series 'The Cries of London'
Located in Alamo, CA
This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
suite 156
Located in BARCELONA, ES
PABLO RUIZ PICASSO
Untitled, from ‘Suite 156’.
1972
Signed and dated on plate.
37/50
Numbered in pencil.
41 x 47,5 cm.
Category
1970s Abstract Expressionist Engraving Prints and Multiples
Materials
Engraving
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Lantana aculeata (Common Lantana) /// Pancrace Bessa Flower Plant Botanical Art
Located in Saint Augustine, FL
Artist: (after) Pancrace Bessa (French, 1772-1846)
Title: "Lantana aculeata (Common Lantana)" (T.6. No. 38)
Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Ple...
Category
Early 1800s Old Masters Engraving Prints and Multiples
Materials
Watercolor, Engraving
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
Jesus College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Jesus College...
Category
17th Century Engraving Prints and Multiples
Materials
Engraving, Etching
Drei Grazien (Three Graces)
Located in Fairlawn, OH
Drei Grazien (Three Graces)
Etching and drypoint, 1920
Signed and titled in pencil (see photo)
Total Edition 100: 30 on Japan and 70 on Butten paper as here
Published by von Wohlgemu...
Category
1920s Expressionist Engraving Prints and Multiples
Materials
Drypoint
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1690s Realist Engraving Prints and Multiples
Materials
Engraving
John Boydell 1751 engraving A South Prospect of the City of Oxford
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Mid-18th Century Realist Engraving Prints and Multiples
Materials
Engraving
CAKE WALK DES PETITES FILLES
Located in Portland, ME
Villon, Jacques. CAKE WALK DES PETITES FILLES. GP.102, second state of four. Drypoint and aquatint in colors, 1904. Edition of only 10 (there was an edition of 30 in state 4, with th...
Category
Early 1900s Engraving Prints and Multiples
Materials
Drypoint, Aquatint
Nativity in the Desert - Engraving by Corrado Cagli - 1970
Located in Roma, IT
Engraving on gold plate on a silver base.
Signed by the author and numbered.
Edition of 3.000.
Very good condition.
Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...
Category
1970s Contemporary Engraving Prints and Multiples
Materials
Engraving
Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Maquillage cyclopéen (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cyclopean makeup, Imaginations and Objects of...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1794-1812 (First-second ser...
Category
1790s Victorian Engraving Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Don Quixote Pear from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Don Quixote Pear from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 32/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
...
Category
1960s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Ardea, Stellaris (Eurasian Bittern) /// Dutch Ornithology Bird Animal Engraving
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original H...
Category
1770s Old Masters Engraving Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
INTERIORS VII: THE TRAIN FROM MUNICH
By Peter Milton
Located in Portland, ME
Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...
Category
1990s Engraving Prints and Multiples
Materials
Engraving, Etching
Strange Animals
Located in Fairlawn, OH
Strange Animals
Engraving, 1949
Signed, dated, and titled in pencil by the artist
The composition was created at the Univerisity of Iowa while the artist was enrolled in the famous M...
Category
1940s American Modern Engraving Prints and Multiples
Materials
Engraving
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1690s Realist Engraving Prints and Multiples
Materials
Engraving
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
A View from St John's College, Cambridge (1809), engraving by Richard Dighton
Located in London, GB
Richard Dighton (1795-1880)
A View from St John's College (1809)
Hand coloured engraving
28 x 22 cm
Richard Dighton (1795–1880) was a prominent Engl...
Category
Early 1800s Realist Engraving Prints and Multiples
Materials
Engraving
Tree, Exhibiting the Various Congregations of the Benedictine Order /// Hollar
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686)
Title: "Tree, Exhibiting the Various Congregations of the Benedictine Order"
Portfolio: Monasticon Anglicanum: A History of the Abbie...
Category
1810s Old Masters Engraving Prints and Multiples
Materials
Engraving
Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush) /// Botanical Botany
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush)" (Syngenesie; Polygamie, Plate 698)
Portfolio: His...
Category
1740s Naturalistic Engraving Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Folly Bridge and Friar Bacon's Study, Oxford engraving from the Oxford Almanack
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1780s Engraving Prints and Multiples
Materials
Engraving
Vienna Lipizzaner
Located in Fairlawn, OH
Vienna Lipizzaner
Engraving, 1962
Signed and dated lower right (see photo)
Titled and numbered lower left (see photo)
This impression is from the second edtition printed c. 1992
1st ...
Category
1960s American Modern Engraving Prints and Multiples
Materials
Engraving
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300)
Portfolio: Histoire Nature...
Category
1740s Naturalistic Engraving Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Cassia corymbosa (Argentine senna) /// Pancrace Bessa Flower Plant Botanical Art
Located in Saint Augustine, FL
Artist: (after) Pancrace Bessa (French, 1772-1846)
Title: "Cassia corymbosa (Argentine senna)" (T.6. No. 32)
Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Pl...
Category
Early 1800s Old Masters Engraving Prints and Multiples
Materials
Watercolor, Engraving
Salvador Dalì (1904-1989) - The Elephant and Jupiter's Monkey - Drypoint etching
Located in Varese, IT
Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil).
Limited edition, numbered 235/250 in lower left corner.
Signed in pencil by artist in lower rig...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Paper, Watercolor, Drypoint, Etching
Lonicera Pyrenaica (Pyrenean honeysuckle) /// Pierre-Joseph Redouté Botanical
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840)
Title: "Lonicera Pyrenaica (Pyrenean honeysuckle)" (No. 15 page 53)
Portfolio: Traité des Arbres et Arbustes que l'on Cultiv...
Category
Early 1800s Old Masters Engraving Prints and Multiples
Materials
Watercolor, Engraving
Le Couple
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category
1950s Cubist Engraving Prints and Multiples
Materials
Drypoint
$12,000
Salvador Dalí -- The Emerald Table
Located in BRUCE, ACT
Salvador Dalí
The Emerald Table from Alchimie des Philosophes, 1976
Lithograph and drypoint on parchment
Hand signed and Edition 179 / 225
Sheet size 77 x 56 cm
Printer: Art Lithog...
Category
1970s Engraving Prints and Multiples
Materials
Drypoint, Lithograph
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition.
About the artist:
Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL.
Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category
Mid-20th Century American Realist Engraving Prints and Multiples
Materials
Drypoint, Etching
Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes.
Good conditions.
Mihály Zichy...
Category
1910s Modern Engraving Prints and Multiples
Materials
Paper, Engraving
Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile) /// Woodcut
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 220, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Sheet size: 8.5" x 5.38"
Image size: 6.5" x 3.57"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
Category
1910s Expressionist Engraving Prints and Multiples
Materials
Engraving, Woodcut
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category
1920s Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
$9,000 Sale Price
33% Off
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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