The eye-catching work of the Danish architect and designer Arne Jacobsen often introduces new collectors to mid-20th century furniture. With their fluid lines and sculptural presence, Jacobsen’s signature pieces — the elegant Swan chair and the cozy-yet-cutting edge Egg chair, both first presented in 1958 — are iconic representations of both the striking aesthetic of the designers of the era and their concomitant attention to practicality and comfort. Jacobsen designed furniture that had both gravitas and groove.

Though Jacobsen is a paragon of Danish modernism, his approach to design was the least “Danish” of those who are counted as his peers. The designs of Hans Wegner, Finn Juhl, Børge Mogensen and others grew out of their studies as cabinetmakers. They prized skilled craftsmanship and their primary material was carved, turned and joined wood. Jacobsen was first and foremost an architect, and while he shared his colleagues’ devotion to quality of construction, he was far more open to other materials such as metal and fiberglass.

Many of Jacobsen’s best-known pieces had their origin in architectural commissions. His molded-plywood, three-legged Ant chair (1952) was first designed for the cafeteria of a pharmaceutical company headquarters. The tall-backed Oxford chair was made for the use of dons at St. Catherine’s College, Oxford, whose Jacobsen-designed campus opened in 1962 (while still under construction). The Swan, Egg and Drop chairs and the AJ desk lamp were all created as part of Jacobsen’s plan for the SAS Royal Copenhagen Hotel, which opened in 1960. (The hotel has since been redecorated, but one guest room has been preserved with all-Jacobsen accoutrements.)

To Jacobsen’s mind, the chief merit of any design was practicality. He designed the first stainless-steel cutlery set made by the Danish silver company Georg Jensen; Jacobsen’s best-selling chair — the plywood Series 7 — was created to provide lightweight, stackable seating for modern eat-in kitchens. But as you will see from the objects on 1stDibs, style never took a backseat to function in Arne Jacobsen’s work. His work merits a place in any modern design collection.

Find authentic Arne Jacobsen chairs, tables, sofas and other furniture on 1stDibs.

A Close Look at Scandinavian-modern Furniture

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN

Emerged in the 1930s
Scandinavian design and Nordic design originated primarily in Denmark, Sweden, Finland, Iceland and Norway
Introduced in the United States in mid-20th century
Informed by the Bauhaus ; influenced American mid-century modernism

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

Bold, clean lines and simple, sturdy symmetries
Use of natural materials — native woods such as pine, ash and beech
Open, airy spaces
Promotion of functionality
Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
Minimal ornamentation (little to no embellishment)
A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak.

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries.

Finding the Right Desks-writing-tables for You

Choosing the perfect writing desk or writing table is a profoundly personal journey, one that people have been embarking upon for centuries.

Queen Atossa of Persia, from her writing table circa 500 B.C., is said to have been the originator of the art of handwritten letters. Hers was reportedly the first in a long and colorful history of penned correspondence that grew in popularity alongside literacy. The demand for suitable writing desks, which would serve the composer of the letters as well as ensure the comfort of the recipient naturally followed, and the design of these necessary furnishings has evolved throughout history.

Once people began to seek freedom from the outwardly ornate styles of the walnut and rosewood writing desks and drafting tables introduced in the name of Queen Victoria and King Louis XV, radical shifts occurred, such as those that materialized during the Art Nouveau period, when designers longed to produce furniture inspired by the natural world’s beauty. A prime example is the work of the famous late-19th-century Spanish architect Antoni Gaudí — his rolltop desk featured deep side drawers and was adorned with carved motifs that paid tribute to nature. Gaudí regularly combined structural precision with decorative elements, creating beautiful pieces of furniture in wood and metal.

Soon afterward, preferences for sleek, geometric, stylized forms in furniture that saw an emphasis on natural wood grains and traditional craftsmanship took hold. Today, Art Deco desks are still favored by designers who seek to infuse interiors with an air of luxury. One of the most prominent figures of the Art Deco movement was French decorator and furniture designer Émile-Jacques Ruhlmann. With his use of neoclassical motifs as well as expensive and exotic materials such as imported dark woods and inlays of precious metals for his writing desks, Ruhlmann came to symbolize good taste and modernity.

The rise in appreciation for Scandinavian modernism continues to influence the design of contemporary writing desks. It employs the “no fuss” or “less is more” approach to creating a tasteful, sophisticated space. Sweden’s master cabinetmaker Bruno Mathsson created gallery-worthy designs that are as functional as they are beautiful. Finnish architect Alvar Aalto never viewed himself as an artist, but, like Mathsson, his furniture designs reflected a fondness for organic materials and a humanistic approach. Danish designers such as Hans Wegner introduced elegant shapes and lines to mid-century desks and writing tables, often working in oak and solid teak.

From vintage desks to contemporary styles, 1stDibs offers a broad spectrum of choices for conducting all personal and business writing and reading activities.