Fritz Hansen Arne Jacobsen Series 7 Inspiration

When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in Scandinavian modern design using new, forward-looking materials and methods.

Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs.

In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.) 

Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough.

With assistance from his then-apprentice Verner Panton, Jacobsen designed the Ant chair for the cafeteria of a Danish healthcare company called Novo Nordisk. The chair was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit.

Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.

Find a collection of vintage Fritz Hansen tables, lounge chairs, sofas and other furniture on 1stDibs.

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

• Emerged in the 1930s 
• Originated primarily in Denmark, Sweden and Finland
• Introduced in the United States in mid-20th century
• Informed by the Bauhaus and modernism; influenced American mid-century modernism  

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

• Bold, clean lines and simple, sturdy symmetries
• Use of natural materials — native woods such as pine, ash and beech
• Open, airy spaces
• Promotion of functionality
• Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
• Minimal ornamentation (little to no embellishment)
• A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

• Alvar Aalto
• Hans Wegner
• Kaare Klint
• Arne Jacobsen
• Greta Magnusson Grossman 
• Finn Juhl
• Arne Vodder
• Verner Panton

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

• Ant chair
• Grasshopper table lamp
• Wishbone chair
• Stool 60
• Artichoke lamp

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak. 

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries. 

An essential part of every office or home workstation, office chairs and desk chairs are critically important to your comfort and getting the job done.

Desk chairs have evolved over time. While writing the Declaration of Independence, Thomas Jefferson pined for a wider range of motion and introduced some improvements to his English-style Windsor chair, inventing the swivel chair along the way. So the next time you roll, recline or swivel at your vintage desk, remember: The third president of the United States had a lot to do with that functionality.

Changes in the availability of resources have also led to innovations in desk chair design. After World War II, for example, optimistic American designers made use of wartime materials in their efforts to create practical domestic goods.

Mid-century modernism is the name given to the broad postwar time period that prioritized thoughtful design. Journalist Cara Greenberg, who coined the term “mid-century modernism,” cites “ergonomic wisdom” as part of the reason for the longevity of the era’s furnishings, and when it comes to sitting in a desk chair for hours at a time, what could be more important than ergonomic support?

As mid-century modernism was marked by resourcefulness and boundless creativity — and produced designers who, in most cases, prioritized comfort and support — it follows that all mid-century chairs are not the same. Nowhere is this perhaps more evident than at Herman Miller. The legendary Michigan furniture manufacturer got its start in the office, with design director George Nelson enlisting the likes of Charles and Ray Eames to produce desk chairs and lounge chairs that are still celebrated today. Elsewhere at the time, the numerous pieces Florence Knoll created for Knoll’s office furniture line were envisioned as design solutions for the changing needs of residential and office spaces.

If you’re working remotely and streamlined seating isn’t your thing, don’t be afraid of making a statement with your office chair. Introduce a touch of drama to your video calls by way of 19th-century desk accessories and the alluring forms we typically associate with antique desk chairs designed in the Empire and Regency styles. For a minimalist touch, a spare, utilitarian Industrial-style office chair can work in any space but will fit in particularly well amid the exposed brick and steel architecture that characterizes a loft apartment.

An inspiring home office cleverly mixes materials and styles to create a welcoming place of productivity and comfort, and if you’re gathering with colleagues at your company HQ, an array of wood, leather and metal office chairs can help integrate disparate textures in a conference room or any other collaborative space. On 1stDibs, explore a diverse collection of office and desk chairs today.