Hermes Florence Italy

For Hermès, what began as a maker of leather equestrian goods for European noblemen would eventually grow into one of the most storied fashion labels in the world. In 1837, German-born French entrepreneur Thierry Hermès opened a saddle and harness purveyor in Paris. Gradually, the house extended into accessories and luggage for its riders, and today, in paying homage to its origins, the family-run luxury brand resurfaces horse motifs in everything from clothing and modernist jewelry to pillows and handbags.

The first top-handled bag ever produced by Hermès was the Haut à courroies, which made its debut in 1892. A tall bag secured with a folded leather flap (fastened with bridle-inspired straps), it was designed to transport riding boots and a harness.

As the world made the switch from horse to automobile, the bag adapted, becoming a multifunctional travel satchel instead of a designated saddlebag. Today, 120 years later, the HAC remains in Hermès’s line — and its distinctive flap and clasping straps have laid the groundwork for some of the house’s other iconic bags.

In the 1930s, Robert Dumas (son-in-law to Émile-Maurice Hermès, Thierry’s grandson) designed a smaller, trapezoidal take on the flap bag with a handle and two side straps. Later, actress Grace Kelly, then engaged to Prince Rainier of Monaco, is said to have used one of these bags to conceal her pregnancy during the 1950s. Because she was photographed constantly, the coverage catapulted her handbag to international popularity.

In 1977, Hermès officially renamed the model for her, and the Kelly bag was born. Each Kelly bag takes between 18 and 25 hours to produce, and its 680 hand stitches owe solely to one Hermès artisan.

Robert Dumas was also responsible for another one of the brand’s most iconic offerings: the launch of its first silk scarf on the occasion of Hermès’s 100th anniversary in 1937. Based on a woodblock designed by Dumas and printed on Chinese silk, the accessory was an immediate hit.

Today, vintage Hermès scarves, typically adorned in rich colors and elaborate patterns, serve many functions, just as they did back then. Well-heeled women wear it on their heads, around their necks and, in a genius piece of cross-promotion, tied to the straps of their Hermès bags. Kelly even once used one as a sling for her broken arm.

In 1981, Robert Dumas’s son Jean-Louis Dumas, then Hermès chairman, found himself sitting next to French actress and musician Jane Birkin on a plane, where she was complaining about finding a suitable carryall for the necessary accoutrements of motherhood. After the two travelers were properly introduced, Birkin helped design Jean-Louis’s most famous contribution to the Hermès canon: the Birkin bag, a roomy, square catchall with the HAC’s trademark leather flap top and the addition of a lock and key.

Owing to the brand’s legendary commitment to deft, handcrafted construction, the Birkin is an investment that is coveted by collectors everywhere.

While the Kelly and Birkin may be standouts, gracing the arms of everyone from royal heiresses to hip-hop stars in the past few decades, the handbags are but a small part of Hermès’s fashion offerings.

Since the 1920s, the brand has produced some of the most desirable leather goods in the world. There’s the Constance bag, a favorite of Jacqueline Kennedy, the recently relaunched 1970s-era Evelyne and, on the vintage market, a slew of designs dating back to the 1920s.

Good design never goes out of style. Find a variety of vintage Hermès handbags, day dresses, shoes and more on 1stDibs.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Few pieces of furniture are celebrated for their functionality as much as their decorative attributes in the way that console tables are. While these furnishings are not as common in today’s interiors as their coffee-table and side-table counterparts, console tables are stylish home accents and have become more prevalent over the years.

The popularity of wood console tables took shape during the 17th and 18th centuries in French and Italian culture, and were exclusively featured in the palatial homes of the upper class. The era’s outwardly sculptural examples of these small structures were paired with mirrors or matching stools and had tabletops of marble. They were most often half-moon-shaped and stood on two scrolled giltwood legs, and because they weren’t wholly supported on their two legs rather than the traditional four, their flat-backed supports were intended to hug the wall behind them and were commonly joined by an ornate stretcher. The legs were affixed or bolted to the wall with architectural brackets called console brackets — hence, the name we know them by today — which gave the impression that they were freestanding furnishings. While console tables introduced a dose of drama in the foyer of any given aristocrat — an embodiment of Rococo-style furniture — the table actually occupied minimal floor space (an attractive feature in home furniture). As demand grew and console tables made their way to other countries, they gained recognition as versatile additions to any home.

Contemporary console tables comprise many different materials and are characterized today by varying shapes and design styles. It is typical to find them made of marble, walnut or oak and metal. While modern console tables commonly feature four legs, you can still find the two-legged variety, which is ideal for nestling behind the sofa. A narrow console table is a practical option if you need to save space — having outgrown their origins as purely ornamental, today’s console tables are home to treasured decorative objects, help fill empty foyers and, outfitted with drawers or a shelf, can provide a modest amount of storage as needed.

The rich collection of antique, new and vintage console tables on 1stDibs includes everything from 19th-century gems designed in the Empire style to unique rattan pieces and more.