Yulia Batyrova and Marat Mukhametov Furniture

Organic 9, 2013 (Ceramic; Unique, C. 11 in. h x 10.5 in. w x 8 in. d, Object No.: 3645) Steen Ipsen was born in 1966 in Denmark and lives and works in Copenhagen. He graduated in 19...

Contemporary Ceramic Sculpture by Chala Toprak, 2025 Stoneware 17" x 17" x 11.5" Made in Brooklyn, New York, USA Introducing Iris Sculpture. This piece is made with iron based stone...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

Marisha Falkovich grew up in Moscow, Russia and lives and works in New York. She primarily works with ceramics and animation – her ceramic pieces are...

Contemporary stoneware sculpture by French artist Véra Rybaltchenko. The stoneware was fired at 1100 degrees and is therefore very resistant. The white sandstone is particulary fine ...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

Marisha Falkovich grew up in Moscow, Russia and lives and works in New York. She primarily works with ceramics and animation – her ceramic pieces are...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional sta...

Contemporary stoneware sculpture by French artist Véra Rybaltchenko. The stoneware was fired at 1100 degrees and is therefore very resistant. The chamotte stoneware is patinated outs...

The “Surolù” art works - this is artistic identity chosen by Vanessa Semaino - arise from the artist 's need to represent women’s condition today, particularly in their emotional states that confer their unique identities. These precious ceramic sculptures, entirely handcrafted and decorated, represent female Moor’s heads. They were conceived as an expression of an introspective journey that relates Vanessa’s Sicilian origins and to her professional experience in the fashion stylistic field. The artist introduces, for the first time, the repeated use of sociological themes of current relevance through a visually immediate language, represented in her art works with a contemporary pop aesthetic. “Grimilde” is an artwork that addresses the dilemma of envy within the context of the seven deadly sins, through a representation that merges the wicked characters from fairy tales into a single figure. In it, there are recognizable references to Grimhilde, the witch from “Snow White”, the Queen of Hearts from “Alice in Wonderland,” and Cruella De Vil, all aimed at portraying envy in a world dominated by social media and the constant quest for approval and affirmation. The artwork is named after the evil queen from Snow White, and her figure is made evident by the turban that frames the face, emphasizing its features and wrinkled expression. The dress, with a black and white checkered pattern with red details, evokes that of the Queen of Hearts, as seen in the large red hearts decorating the crown, replacing the traditional acanthus leaves of typical Sicilian Moorish heads...

"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this sculptural piece with its slab like minimal shape draws the viewer into its mysterious shape that is reminiscent of a monument. Its surface, with the typical Tanba clay fired at very high temperature and completely free of glaze, radiates a subtle metallic sheen that is nearly in a shade of purple. This piece was purchased from Touching Stone, Santa Fe, New Mexico in 2003. Artist's bio from the gallery and the exhibition: "Kiyoharu Ichino was born in 1957 in Tachikui into an extended family steeped in pottery-making tradition. He learned all aspects of Tanba pottery since childhood. When he was twenty, he moved to Seto to study pottery under a master of Akatsu-yaki. Upon returning to Tachikui, he launched his career with the Tanba Group Kiln. In 1983, he established his own kiln and began showing in galleries all over Japan. His works have been selected repeatedly for the prestigious juried Japan Traditional Crafts Exhibition sponsored by the Japan Crafts Association. In 1995, he was nominated to be a permanent member of The Japan Crafts Association, an honor bestowed to the most experienced and talented artists. Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks like swirling mists left by the wood fire. His pieces appear to be integral parts of the clay rather than separate objects made from it. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition. Ichino should be no stranger to many Santa Fe residents. His work has been exhibited both in Touching Stone Gallery and as part of a major exhibition in the New Mexico Museum of International Folk Art in 2006. About Tanba ware...