Lighting

The Pair of Chrome and Glass Wall Lights designed by Gaetano Sciolari, crafted in Italy during the 1970s, is a testament to the enduring c...

Discover the timeless allure of the Isamu Noguchi Akari Lamp, model 75D, a pendant lamp designed around 1950 and manufactured by Ozeki & Co. Ltd. in Japan. This mid-century modern ma...

Faceted Lamp by Jere. Two tone brass and chrome.

Swedish Chandelier made of brass and beech attributed to Hans Bergstrom For ASEA Sweden. Each arm has a beautiful frosted art glass shade with golden details / arrows. Five screw fit...

Italian vintage glass chandelier with alabaster pink glass tubes. The armor polished nickel supports 36 large glass tubes in a star shape. The alabaster technique created in Venetian...

Impressing and large table / desk lamp in brushed aluminum with bronze effect dating back to the 70s. The gooseneck stem and the finish of the lampshade are reminiscent of the brass...

Chandelier with 36 transparent with an amber spot inside glasses, gold painted structure. The glasses are very high quality, the photos do not do the beauty, luster of these glasses....

Elegant Italian ceiling light made from 84 beautiful Murano smoked glasses "poliedri". Structure in gold and brass colored metal. Period: late xx century Dimensions: 17,70 inches (45...

Chandelier from France in the neoclassical style. This piece is made of lacquered steel enhanced with gilt brass accents. It has been newly wired to fit US standards.

This is a very elegant chandelier from the 1950's or 1960's. It has black painted arms holding 5 opaline glass chalices that gives a beautiful diffused illumination. It is very likel...

One of a pair of vintage, minimalist German made wall or ceiling flush mount light fixtures by Glashütte Limburg, circa 1970s. The simple, yet striking, clean lined minimalist design...

Sculptural lamp by Lam Lee Group/Leeazanne, 1990s. Forged and patinated metal body, spotted gold leatherette shade. European socket (up to 250V).

Experience the timeless elegance of the Isamu Noguchi Akari 55A Pendant Lamp, a design masterpiece that transcends generations. Created in 1951...

All Original Pair of Circa 1940's Art Moderne 10 Light Chandeliers. Ten sided gilt metal bodies with transparent gold plastic panels. Ten candelabra base light sockets on the interio...

LUIS BARRAGÁN (1902-1988) From Casa del Pedregal (Casa Prieto López) Manufactured by Hugo X. Velázquez México, 1952 Ceramic, parchment leather Ceramic table lamp Measurements To...

Great Condition

This is an original piece made in 1930’s Czechoslovakia. A striking dominant floor lamp, with super sized proportions. A large copper headlight that is adjustable, supported by a sta...

Floor lamp attributed to Osvaldo Borsani. Dual ignition Good Condition Thank you

Our heavy brass ship's light comes from a Korean vessel, and has been up cycled into a beautiful room light , wired for domestic use, which can be floor mounted or could be attached ...

Pair of gilded iron wall lights decorated with crystal or glass decorated with flowers and leaves, two sconces, Maison Baguès Circa 1970 Good condition Width: 28 cm Height: 57 cm Dep...

Coppia di applique da parete in vetro di Murano disegnate da Carlo Nason e prodotte da Mazzega negli anni '60. La struttura delle applique è in acciaio cromato e hanno quattro sfacce...

Metal and glass wall lamp, 1970s. Slight wear due to age and use. European socket (up to 250V).

Iconic table lamp produced by the Franta Anýž Company and designed by Jaroslav Anýž, his son in early 1930s. This desk lamp is renowned for its distinctive joints, patented to allow the lampshade to pivot in any direction, with adjustable height. Franta Anýž, an influential figure in Czech design, studied at the Academy of Arts, Architecture, and Design in Prague. His notable achievements include work at Pragotron, camera design for Flexaret, and winning a gold medal at the Salon International des Inventions in Geneva in 1965 for his Beta 21 watch...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

French Mid Century Ceiling Light with Three Floral Shades   This delightful French Three Light bronzed ceiling light features th...

Lampiatta model hanging lamp designed by De Pas, D'Urbino, Lomazzi, in 1971 for Stilnovo. The lampshade is made of metal painted white both inside and outside. It bears the original ...

A stunning and very large vintage Italian chrome table lamp by Franco Albini and Franca Helg. This was manufactured in Italy by Sirrah, it dates from the 1970’s. This is the very ra...

A stunning vintage brass and marble floor lamp, most likely made in Italy and dating from the 1970’s. It is beautifully made, the brass frame sits on a gorgeous marble base. There a...

Gorgeous set of 2 petite Murano glass sconces by Kaiser Leuchten, Germany, circa 1970s. Heavy quality and in very good condition. Cleaned, well-wired, and ready to use. Each fixtur...

This elegant minimalist Art Deco pendant was designed and manufactured in Germany in the 1920s to 1930s during the Bauhaus period. The light features a round cream colored opaline ...

Flush mounts, manufactured in Finland, from the 1970s. Painted metal and glass. 10 pieces, sold separately. Good vintage condition, patina and wear consistent with age and use. These...

1 of 3 Mushroom Shaped Glass Lamp in Chrome, Germany 1960s Dimensions Height: 7.08 in. (18 cm) Diameter: 10.23 in. (26 cm) The fixture need 1 x E27 standard bulb with 60W max. Lig...

Flygsfors Glass Factory Flygsfors Glasbruk was a glass factory in Flygsfors in Nybro municipality, founded in 1888 and closed in 1979. It was started in Flygsfors in 1863 as a hammer...

Rare fractal resin table lamp, 1970, France Similar to Pierre Giraudon, Marie-Claude de Fouquières, Henri Fernandez, François Godebski...

Mid-Century Ceiling Lamp, 1960s

Sylcom Murano production, set of three Murano Graniglia glass appliques, each composed of three leaves, each applique is equipped with two lamp holders for E14 bulbs, we can make the...

A stylish and extremely well made pair of vintage brass table lamps with velvet shades. They were made in France, they date from around the 1970’s. The quality is outstanding, the s...

"Parola" table lamp from Studio Tetrarch, 1968 Bibliography: Casa Amica by Giuliana Gramigna.

Svend Aage Holm Sørensen (1913-2004), Very nice and subtle grasshopper shaped floor lamp designed by Svend Aage Holm-Sørensen, manufactured by Holm Sørensen & Co, Denmark 1950. This ...

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

An elegant table lamp made from layered and blown Murano glass and a circular cast iron metal base. Signed. A single piece of glass forms the shade, connecting to the fluted glass s...

Pair of Mid Century Modern "Ventiglio" Table Lamps by Angelo Mangiarotti, for Skipper Pollux - 1980s

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Postmodern table lamp produced by Brilliant Leuchten AG in the 1980s magnetic eyeball. Very original table lamp produced by Brilliant Leuchten AG in black and white plastic materia...

Memphis Suspension, Red Yellow and Pink,Italy, 1980s

A beautiful and extremely well made 1970’s vintage Italian brass & chrome lamp. The quality is outstanding, the frame is beautifully designed and the metal has acquired a beautiful ...

Fase Model Anade Table Lamp, 1980s Halogen lamp with 12 v bulb. Measures 70 cm. length 43 cm. height 13 cm. broad

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...

Step into the future with this pair of Space Age Italian floor lamps from the 1970s, an iconic fusion of form and function. Crafted from lacquered iron and chromed metal, these lamps...

Large chrome & opaline glass floor lamp by VeArt, Italy 1970s. Unusual design composed of primary shaped elements such as a glass cone, a cylindrical base and column with their squar...

Mid-Century Modern Pendant Lamp by Achille Castiglioni , Italy, 1960s.

This awesome pair of original mid century light shades have a particularly architectural look to them! Dating from the 1960s, they’re constructed from sheet metal which has been cut ...

Italian vintage chandelier in Murano glass and nickel-plated metal structure. The armor polished nickel supports 52 large SMOKED glass tubes in a star shape. Period: late XX century ...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Philips desk lamp dating from the 1950s. Inspired by Charlotte Perriand in the way she designed objects that met the needs of life and were accessible to the greatest number of peopl...

Mid-Century Modern Glass Wall Light/ Ceiling light, 1960s

Small presentation island made from an old Jieldé machinelamp, nice for lichting jewelry or other small items. Special “floating” effect with the switchable tree colored bottomlight ...