Abstract Prints

This Limited Edition giclee coastal landscape print by Molly Doe Wensberg is an edition size of 195. The print features a green and light lavender palette, and captures a scene of a ...

Lithograph on vélin de Rives paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published and printed by Bank Street Atelier, New York, 1973. I...

24" × 32" Unframed Premium Gloss Canvas Giclee, Hand Embellished in Acrylic, Acrylic Gel, Archival Ink Hand Signed by Sean Danconia "HELLO YOKO, KITTY ONO" is Chapter-Three of an i...

Arthur Secunda Long Distance Ocean - 1980 Print - Serigraph   40'' x 23'' inches Edition: signed and numbered in pencil 215/250 Secunda's exploration into printmaking has very ofte...

Artist: Pablo Picasso Title: Monogram "J" with Landscape (Plate XI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed:...

Lynda Benglis Gold Leafed Bronze Wings, 1979 Lithograph on wove paper Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp Unframed and affixed to dark grey/black matting Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp. Published by Landfall Press; a rare limited edition print from the 1970s, depicting a sculptural installation by one of the most dynamic influential and important art world superstars of our time. The writing on the print: Gold Leafed Bronze Wings Black Concrete Obelisk...

Charles Hinman is best known for his custom-shaped geometric canvas paintings. This is an original silkscreen from the Licht Calendar portfolio, unsigned from the edition of 3000. Fr...

James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce. Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'. ABOUT THE IMAGE "I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...

Artist: Colin Self Title: Power and Beauty-Unique Print No. 2 Year: 1969 Medium: Serigraph, signed and titled in ink Edition: 30 Size: 26 x 41 inches

Vibrant and dynamic monoprint by David Stephens (American, 20th Century). Sand (or a similar medium) was used in the pressing of this monoprint, creating a pocked texture in multiple...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Original Herman Miller Summer Picnic screen printed lacquer ink and lacquer finish print. August 20, 1971 annual company picnic poster is a...

Gabor Peterdi (1915-2001). Dark Landscape, 1958. Etching, engraving and aquatint with five stenciled colors. Image measures 20 x 24 inches. Signed, date...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 473 100 x 100 cm (39.4 x 39.4 in) Signed on the front Mint. Sold in...

Abstract Composition is an artwork realized by Mark Tobey in 1975.  Etching on Wove Paper, Signed and marked H.C. Published by Baukunst Galerie, Koln. Prov. Coll Jorg Kees.  Hand sig...

Marina Abramović & Ulay Sun and the Moon (Hand Signed print), 1987 Offset Lithograph Poster Uniquely isgned in ink pen on the front) by Marina Abramovic Historic collectors item 25....

"Juggler on a Tightrope" Etching in Ink on Paper Playful etching of a performer by Dick Swift (American, 1918-2010). A juggler is show in a cubist style, w...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Edition 3000 (There was also a signed edition of 75 on larger paper) Catalogue raisonné: Subsequent to Schmücking Condition: Excellent Image/Sheet size: 12 1/4 x 9 1/2 inches "Hans Hartung B. 1904, LEIPZIG, GERMANY; D. 1989, ANTIBES, FRANCE Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences included Lovis Corinth, Oskar Kokoschka, Emil Nolde, and Max Slevogt. At just 17, Hartung began to experiment with abstraction, synthesizing the graphic techniques of his artistic models while completely eliminating figurative elements. Hartung entered the Universität Leipzig in 1924 to study philosophy and art history but left to concentrate on painting at the Kunstakademie, Leipzig. While Hartung was advised to pursue further training at the Bauhaus, he opted to study at the Kunstakademie, Dresden. In 1926 Hartung saw an exhibition of international art in Dresden, which exposed him to Cubism and other modern styles that had emerged in France. His encounters with works by Georges Braque, Juan Gris, Henri Matisse, and Pablo Picasso, along with various travels abroad, encouraged him to move to Paris in 1926, where he spent the majority of his time until 1932, although he passed the summer of 1928 in Munich studying under artist and theorist Max Dörner. In 1929 Hartung married the Norwegian painter Anna-Eva Bergman. After several years abroad, they tried to reestablish themselves in Berlin in 1935 but were soon forced into exile by the National Socialist regime. In the years leading up to World War II, Hartung's work reflected his attempts to reconcile chance and control, combining expressive graphic elements with patches of black and color to produce a sense of spontaneity. After the outbreak of the war, Hartung served in the Foreign Legion (1939–40), and later in the Free French (1943–44). He was gravely wounded at the German Front, and one of his legs was amputated. In 1945 he returned to Paris and resumed painting and the following year earned French citizenship. Hartung was a major figure in Art Informel and Tachisme (from the French tache, meaning blot or stain). While Hartung's postwar paintings are generally described as exhibiting a calligraphic quality, his work moved through a series of phases, becoming less spontaneous and more formally aggressive than his work from the late 1930s. In many works of the late 1940s and early 1950s, such as T-50 Painting 8 (T-50 peinture 8, 1950), he applied large areas of color to the canvas on which he painted a combination of bold black brushstrokes and thinner frenetic linear strokes. Hartung received several international awards, including the 1956 award for the Europe-Africa section at the Guggenheim International Award and the International Grand Prize for painting at the 1960 Venice Biennale. His first major group show was organized by curator and critic Christian Zervos at the Jeu de Paume, Paris (1937). After settling permanently in Paris, he exhibited regularly at the Salon des Surindépendants (1935, 1937, 1945). His first solo show took place at Galerie Lydia...

Artist: Gene Davis (1920-1985) Title: Giant Green Year: 1980 Medium: Silkscreen on Arches paper Edition: 43/250, plus proofs Size: 29.75 x 32.5 inches Condition: Good Inscription: Si...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Hand signed rf Lichtenstein, numbered and dated '85 in pencil lower right. Printed by Studio Henrici, New York. Published by the artist, for the Institute of Contemporary Art, Univer...

LUCIO FONTANA, Rosario di Santa Fe 1899 - Comabbio 1968 Little Theater, 1966 Original color silkscreen print. (mm. 210x165). Bibliography: Lucio Fontana: engravings, graphics, multi...

Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

Artist: Harland Miller Title: Demons Are Forever Medium: Etching with relief printing and extensive hand-finishing by the print studio Date: 2024 Edition: 30/100 Sheet Size: 49 7/8" ...

Lithograph on vélin papier d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editions XXe Si...

This 'Composition V' is a 20" x 27" screen print by artist, David Mladjovic, depicts an abstract composition of dynamic fields of color in blue and red ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 107-108-109, 1958. Publishe...

Alexander Calder (American, 1898-1976), 'Albi', 1969 Lithograph in colors Pencil signed lower right Edition 94/100 Sheet: 35.25 x 25 inches In a vintage acrylic box...

Fran López Bru (Spain, 1959) 'Untitled', N/A silkscreen on paper 29.9 x 21.8 in. (75.7 x 55.3 cm.) Edition of 75 Hand-signed by author Ref: LOP1189-001

21th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...

"Paul Cava: Photographs, Collages, Montages" is a softcover, limited edition (of 250) book publication featuring the photography and photo-based fine art of ...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O ll by Erik...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe V Catalogue Raisonne...

Engraving, 2002 Edition : 20/50 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (image) Handsigned by the artist in pencil Ref : LCD...

Artist: Pablo Picasso Title: La Danse (frontispiece) Portfolio: Picasso Lithographe III Medium: Transfer lithograph printed in colors Date: 1956 Edition: 3000 Frame Size: 19 1/2" x 1...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 193-194. Published by Aimé Maeght, Éditeur,...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

Edward Landon, 'Flyable Objects Identified', color serigraph, 1969, edition 30, Ryan 83. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, o...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique COA provided *Condition: Sto...

Pink-Brown Cut Flowers by Oisin Byrne, 2023 Additional information: Medium: screenprint 102 x 102 cm 40 1/8 x 40 1/8 in signed, numbered and dated in red ...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Artist: Robert Morris, American (1931 - ) Title: Towers of Silence from In the Realm of the Carceral Year: 1978 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 1...

Piero Dorazio Abstract Composition (Bank of New York Corporate Collection), 1971 Lithograph on wove paper Pencil signed, numbered 73/75 and dated on the front. The back bears a label from Bank of New York's Corporate Art collection. Frame Included This is an exquisite, uncommon abstract lithograph from the early 1970s by Piero Dorazio. It was acquired from the Bank of New York Corporate Art Collection, and bears their inventory label on the back of the frame. It is framed in an elegant museum frame, with UV plexiglass, bearing the date of the framing (2008), and the name of the Manhattan frame...

Composition 1996 Silkscreen in colors on Arches paper 21.7 x 29.5 in (55 x 75 cm) Editioned upper left and signed upper right Edition of 99 Jesús Rafael Soto was born on June 5, 19...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

Artist/Designer; Manufacturer: Joan Miro (Spanish, 1893-1983) Marking(s); notes: signed; ed. 69/75; 1979 Materials: lithograph on Arches Dimensions (H, W, D): 33"h, 23.25"w; 43.25"h,...

Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...

Pahlik Mana (Butterfly Maiden) Dan Namingha Hopi kachina katsina black and white unframed limited edition hand pulled lithograph at Tamarind Institue Glenn Green Galleries also pre...

Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfol...

This bright colorful lithograph is by California abstract artist Sam Francis (1923-1995). The work is in excellent condition and archivally framed in a period minimalist metal frame....

Damien Hirst Butterfly Heart (Large) 2020 Laminated Giclée print on aluminium composite panel 72.7 × 70 cm (28.6 × 27.6 in) Digital Signature Edition of 1698 In mint condition PLEAS...

Sonia DELAUNAY Woman with Art Deco Dress Lithograph after a painting Printed signature in the plate Numbered /600 On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition,...

Mare (Mascagni) by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of 7 40 x 32 inches / 102cm x 81cm signed edition of 25 archival quality fine art pigment print limit...

a mesmerizing sea of light blue and acqua color tones from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...

Kenny Scharf Bad Girls, 1989 Lithograph done with 9 colors and 10 plates on Velin Arches Blanc paper Hand signed and numbered PP by Kenny Scharf on the front Unframed: the work was r...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition of 1000 (917/1000) Pencil numbered...

Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) “Four Great Pyramids”, 1970 Lithograph in Colors on Arches Paper Sheet Size: 30” x 43” Numbered: Hand signed and ...