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Oval Brass And Parchment Chandelier

Oval Brass and Parchment Chandelier by Diego Mardegan for Glustin Luminaires
By Diego Mardegan
Located in Saint-Ouen, IDF
chandelier has longer arms on the sides giving the oval shape. The metal arms painted in white and shiny
Category

2010s Italian Modern Chandeliers and Pendants

Materials

Metal, Brass

Customisable Spider ceiling light brass parchment design by Diego Mardegan Italy
By Diego Mardegan
Located in London, GB
made of a brass structure, the arms are painted in opaque ivory colour and are fixed on an iron disk of
Category

2010s Italian Modern Chandeliers and Pendants

Materials

Brass

Spider Special 150 Ceiling Light Italian Design by Diego Mardegan
By Diego Mardegan
Located in London, GB
composed of six ivory coloured silk on parchment shades held to a brass metal frame. Each shade is made by
Category

2010s Italian Modern Chandeliers and Pendants

Materials

Brass

Recent Sales

Customisable Spider Ceiling Light Italian Design by Diego Mardegan
By Diego Mardegan
Located in London, GB
coloured silk on parchment shades held to a brass metal frame. Each shade is made by hand sown ivory color
Category

2010s Italian Modern Chandeliers and Pendants

Materials

Brass

French Iron and Brass Oval Chandelier
Located in New York, NY
French Iron and Brass Oval Chandelier with Parchment Shades and Etched Glass Diffusers
Category

Vintage 1950s French Chandeliers and Pendants

Materials

Iron, Brass

French Iron and Brass Oval Chandelier
French Iron and Brass Oval Chandelier
H 24.5 in W 35 in D 20 in

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Diego Mardegan for sale on 1stDibs

Italian interior lighting designer Diego Mardegan creates gorgeous chandeliers and wall lights that reflect an artist at the top of his craft. Though working in the 21st century, Mardegan’s stunning brass fixtures draw inspiration from retro mid-century modern works as well as early modernist design. His timeless lighting is characterized by exquisite attention to detail, each fixture a masterpiece in its own right.

Mardegan’s work expresses a love of Italian design movements from the 1940s to the 1970s, which he studied at the Historical Archive of Contemporary Arts at the Biennale Library in Venice. This led him to search for artisans who could replicate the manufacturing and finishing techniques used during these periods. Mardegan’s lighting designs are also inspired by sources such as vintage clothing, which can be seen in his use of fabric shades featuring throwback patterns. He is likewise known for creating shades from parchment paper, giving the fixtures a softer and more delicate appeal.

Two other standout features of Mardegan’s design are asymmetry and adjustability. Shades of various sizes often give his pieces an off-kilter yet somehow perfectly harmonious look. Many also come with features like stems that can be removed to turn a chandelier into a flush mount, shades on articulated joints that allow them to point in different directions and individually adjustable chandelier drums.

Mardegan is known to work only with galleries that he selects personally. One is Galerie Glustin Luminaires, which carries many exclusive pieces from this master of the lighting world. Designer Stephanie Kienle Gonzalez of Rizzoli International Publications lights up the den of her Manila home with a custom chandelier by Diego Mardegan for Glustin Luminaires.

On 1stDibs, find a selection of Diego Mardegan lighting.

A Close Look at Modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Materials: Brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstleralso an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right Chandeliers-pendant-lights for You

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina, with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier. (Note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too.)

Chandeliers have evolved over time, but their classic elegance has remained unchanged.

Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes.

Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the natural world-inspired designs of the Art Nouveau era to the classic beauty of Paul Ferrante's fixtures, there is a style for every room.

With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs — shop a collection today that includes antique Art Deco chandeliers, Stilnovo chandeliers, Baccarat chandeliers and more.