Abstract Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 201, published by Aimé Maeg...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17.9, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, XXe siècle, Homage to Marc Chagall, 1969. Published by Tudor Publishing Co., ...

Signed on the front, and signed, titled and numbered on the reverse, This is an artist proof, unique color variant, aside from the edition of 15. An abstraction of male nudes. In J...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

XIV Winter Olympics games is a vintage poster realized by the artist Yozo Hamaguchi, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition. Yozo Ha...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 137, 1963. Publish...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 156, published by Aimé Maeght, Éditeur, Paris; printed ...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 73/150 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 224] 51.50 c...

Artist: Joan Miro Title: Plate I Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 13" x 10" Signature: Unsigned ...

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good Condition. Notes: From the folio, Maravillas con variaciones acrósticas en el Jar...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

Abstract landscape monotype of a large cumulus cloud in soft pink and periwinkle blue 12 x 12 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckle...

Thomas Ruff (German, b. 1958) Substrat, 2019 Medium: Chromogenic print Dimensions: 32 × 45.8 cm (12 3/5 × 18 in) Edition of 300: Hand-signed and numbered in pencil Condition: Excellent

Arnulf RAINER (1929) Eiffel Tower and Informal Composition, 1990 Original vintage lithographic poster (Edited by Maeght-Long) Printed signature in the plate On paper 77 x 56 cm (c. ...

Colorful abstract landscape woodcut print by modern artist Carol Summers. The work features a color blocked depiction of a volcano with a rainbow. Signed, titled, and editioned withi...

American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°25, 1965. Published and printed under the direction ...

Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

"Venus Noire" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and black frame u...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Pablo Picasso's mastery of perspective and integration of geometric planes into his portraits is evident in this portrait of a woman wearing a matching orange hat and blouse. Returni...

This full-on view of a musician and his bass (also known as an upright bass or string bass), has an air of calm befitting the lowest-pitched bowed instrum...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Mare (Mascagni) by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of 7 40 x 32 inches / 102cm x 81cm signed edition of 25 archival quality fine art pigment print limit...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

GARDEN FLOWERS is an original hand drawn lithograph enhanced with hand coloring by the renowned American Pop artist, Peter Max. GARDEN FLOWERS was created in 1979 printed using tradi...

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good Condition. Notes: From the folio, Maravillas con variaciones acrósticas en el Jar...

This abstracted print of a dog by artist Russell Miyaki features a warm, colorful palette and captures a brown Labrador from the shoulders up, composed of sweeping colors in front of a vibrant background which is color-blocked in red and turquoise tones. It pairs larger abstracted colors with thinner line-work to create an energetic, abstracted composition. This Limited Edition giclee print by Russell Miyaki is an edition size of 195. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in white, black, gold, dark walnut, oak, and white oak. For additional sizes and frame options, please contact us. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist has granted permission to Sorelle Gallery to produce limited edition prints of their work. Each print comes with a Certificate of Authenticity, and ships for free. Please note that all prints are made-to-order based on desired preferences, allowing for personal customization and less waste. Please also allow additional time for printing prior to shipping. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s corset...

"Rolled Wrongly - Portfolio 1, Folder 18, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972 and was previously titled "Falsch Gerickelt". This ...

This vertical geometric abstract monotype on paper layers shapes on a background that transitions from pale yellow to dark red. A pointed star in black shapes contrast the circular a...

Multilayer 301 unique abstract photo paper collage (1 of 1), signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, Germa...

Firmado a lápiz por el artista en la parte inferior y con el tiraje, este en concreto es un E/A (epreuve d'artiste) Se presenta enmarcado con su marco original de la época (he puest...

Derek Boshier ONE - 1967 Print - Silkscreen  22½'' x 31'' in. Edition: Signed in pencil, titled, dated and marked 36/70 Small creases and cracked ink in silkscreen. Otherwise very g...

'Indian-Persian - Indo-Persian - Indisch-Persisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Raci...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 148, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 101-102-103, 1957. Publishe...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°52, 1979. Published and printed under the direction of Gualt...

Fran López Bru (Spain, 1959) 'Untitled', N/A silkscreen on paper 29.9 x 21.8 in. (75.7 x 55.3 cm.) Edition of 75 Hand-signed by author Ref: LOP1189-001

Alistair Grant was a printmaker, painter and illustrator. He was born in Kensington, London. His mother was from Etaples in Northern France: Grant retained the family home here and t...

Rafael Canogar (Spain, 1935) 'Carácter', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: CAN1205-010-001_1 Hand-signed by author

Tracey Emin Museum of Contemporary Art Poster (Hand Signed) Offset Lithograph in Semi-Gloss Paper Signed boldly by Tracey Emin in white grease marker on the front 24 x 18 inches Unfr...

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate On wove paper 33 x 24 cm (c. 13 x 10 in) REFERENCE : Catalog raison...

Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la revue XXe Siècle. Mourlot, Paris, imprimeur ; XXe Siècle, Paris, éditeur. About Pierre Soulages : Pierre Soulages est né le 24 décembre 1919 à Rodez et décédé le mardi 25 octobre 2022 à l’âge de 102 ans. Il a été inhumé le vendredi 4 novembre au cimetière Montparnasse. Très jeune il est attiré par l’art roman et la préhistoire. Il commence à peindre dans cette province isolée que n’ont pas pénétré les courants artistiques contemporains. À 18 ans, il se rend à Paris pour préparer le professorat de dessin et le concours d’entrée à l’École Nationale supérieure des Beaux-Arts. Il y est admis mais convaincu de la médiocrité de l’enseignement qu’on y reçoit refuse d’y entrer et repart aussitôt pour Rodez. Pendant ce bref séjour à Paris il fréquente le musée du Louvre, il voit des expositions de Cézanne et Picasso qui sont pour lui des révélations. Mobilisé en 1940,il sera démobilisé en 1941. Paris occupé, il se rend à Montpellier et fréquente assidûment le musée Fabre. Montpellier à son tour occupé, commence pour lui une période de clandestinité pour échapper au STO pendant laquelle il ne peint plus. Ce n’est qu’en 1946 qu’il peut consacrer tout son temps à la peinture. Il s’installe alors dans la banlieue parisienne. Ses toiles où le noir domine sont abstraites et sombres. Elles sont aussitôt remarquées tant elles diffèrent de la peinture demi-figurative et très colorée de l’après-guerre. Il trouve un atelier à Paris, rue Schoelcher, près de Montparnasse. En 1948, il participe à des expositions à Paris et en Europe, notamment à « Französische abstrakte malerei » dans plusieurs musées allemands. Il est de beaucoup le plus jeune de ce petit groupe de peintres où se trouvent les premiers maîtres de l’art abstrait, Kupka, Domela, Herbin, etc. L’affiche est faite avec une de ses peintures en noir et blanc. 1949, exposition personnelle à Paris, galerie Lydia...

Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...

This bright yellow modern lithographic poster was printed at the Atelier Mourlot in New York City in 1967. Certificate of Provenance: Each individual work of art carefully curated...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...

Antoni Tapies (Spain, 1923-2012) 'Varations V: Chaussure sur chaise', ca. 1970-1975 lithograph on paper 29.6 x 41.4 in. (75 x 105 cm.) Edition of 90 Unframed ID: TAP1162-022 Hand-sig...

Larry Zox Untitled IV, ca. 1979 Pochoir on Arches Paper with Deckled Edges. Hand signed and annotated Printers Proof in pencil on the lower front. 28 1/2 × 22 1/2 inches Unframed This beautiful Larry Zox pochoir on Arches paper with deckled edges a unique Printers Proofs - signed by the artist in pencil on the lower front. We do not know the size of the regular edition, or whether there is a regular edition, but this is indeed a unique PP. LARRY ZOX BiIOGRAPHY A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities.”[2] What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art.[3] Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”[4] In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

Barnet, Will. ENFANT WITH YELLOW BACKGROUND (BETSY). Szoke 108, Cole 106, not in Johnson. Color lithograph, 1951. Edition of 10, titled and signed in pencil. Printed by Barnet and Ro...

Second state in yellow etching of bright abstract stars, by American post-war pop artist James Rosenquist. Signed and dated lower right Titled and edition number 33/78 lower left 17...

This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...

Letter Afrom the Alphabet series is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Artist proof, written in pencil on the lower...

YELLOW PERSONAGE is an original hand drawn, limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. YELLOW PERSONAGE presents a lively, imaginative child-like character printed in bold colors - bright yellow, black, green, red, pink, blue and hints of white pop out as a smiling face attached to a stick figure style body suggesting two arms and black paint stroke fingers. YELLOW PERSONAGE is a playful, wild abstract portrait by Appel, one of the founders of the avant-garde art movement CoBrA active during the late 1940's thru early 1950's. His paintings are known for incorporating applications of vibrant, violent colors often possessing a primal, childlike quality. Print size - 30 x 22 inches, unframed, full bleed image, hand signed in pencil by Karel Appel, print documentation provided Edition size - 175, plus proofs Year published - 1980, printed at J K Fine Art Editions Co. NYC About the artist - Karel Appel, (born April 25, 1921, Amsterdam, Netherlands—died May 3, 2006, Zürich, Switzerland), Dutch painter of turbulent, colorful, and semi-abstract compositions, who was a co-founder (1948) of the CoBRA group of northern European Expressionists. He was also a noted sculptor and graphic artist. Appel attended the Royal Academy of Fine Arts, Amsterdam (1940–43), and helped found the “Reflex” group, which became known as CoBRA (for Copenhagen, Brussels, and Amsterdam), in 1948. He moved to Paris in 1950 and by the 1960s had settled in New York City; he later lived in Italy and Switzerland. Partly in reaction against what they perceived as the sterile academicism of the de Stijl movement, the CoBRA artists...

Geometric shapes in yellow, red, green and blue on a soft gray background. Available unframed, please inquire with the gallery for framing costs. Signed on recto, titled on verso. ...