Wall Decorations

Made in France Tolmer Paris Arnold Constable & Company was America’s oldest department store, technically founded in 1825. The store itself used 1827 as its founding date, no doubt...

Original vintage workplace motivational poster - All in the Game Only those who accept criticism in the right spirit qualify to win Listeners Learn to Lead Bill Jones - featuring a s...

Kazimir de Rónay (1883-1971) was a Hungarian artist. Unfortunately, the personal life of the artist remains obscure. Through his artworks we can identify him as a representative of t...

Pierre Auguste Renoir 1841-1919 Historical Description This lovely image captures a sense of innocence and repose. With his delicate use of line, Renoir conveys a sense of grace an...

Lovely image by Harry Rountree Chromo-lithograph. Tipped on to the original green card The measurement given is the green card size not the actual image. Free shipping

An antique 20th Century oil on canvas piece by Frederick Thomas Daws portraying a German Shepherd dating to 1926. Daws, famed for his depictions of champion dogs, commenced this artw...

Lovely image by Harry Rountree Chromo-lithograph. Tipped on to the original green card The measurement given is the green card size not the actual image. Free shipping

In 1845 British Officer Sir John Franklin and crew disappeared on an arctic exploration. Captain Francis Leopald McClintock was commissioned to explore that disappearance on the yach...

Decorative ceramic tile by Antoni Gaudi, inspired by the marigold and dianthus motifs on the decorative ceramic tiles he designed for the facade of Casa Vicens, which constitute some...

Hunting Countries Of England by Cecil Aldin, The Duke of Beaufort's Hunt. A single signed limited edition print, mounted and framed "The Duke of Beaufort's" by Cecil Aldin. This edit...

Nautical Chart showing the harbor and local waters of the Little Neck Bay, Manhasset and Hempstead Harbors. The chart displays depths, buoys, lighthouses, etc., Shown is Manhasset Ne...

The category Antique Paintings Portraits of Dogs features a small painting, a Pastel on paper with a portrait of a Black Spaniel dog, twentieth century era. English school of the 20t...

Linocut print on paper of a warm, pastoral evening landscape rendered in soft shades of green, brown, and purple. Archival mounted under UV glass and framed. Numbered and dated in g...

Lovely image by Harry Rountree Chromo-lithograph. Tipped on to the original green card The measurement given is the green card size not the actual image. Free shipping

Original antique travel poster for the Adriatic coast port town of Cesenatico issued by the Italian Tourism Board ENIT featuring artwork...

The collage consists of three antique botanical prints from Walter Müller's publication, which meticulously document various species of the genus Epipactis. These illustrations are characteristic of early 20th-century scientific botanical illustration...

Original antique advertising poster for Castell A.W. Faber stationery supplies featuring a young athlete throwing a green AW Faber pencil as a javelin with another javelin thrower an...

Lovely image by Harry Rountree Chromo-lithograph. Tipped on to the original green card The measurement given is the green card size not the actual image. Free shipping

An antique vintage lithographic portrait of an engraving of Abraham Lincoln by William Edgar Marshall (after). Printed in 1917, Chicago: Berkley-Cardy Co. This engraving was praised ...

78738 Antique Turkish Ghiordes Silk Prayer Rug, 04'00 x 05'03. Hailing from the northeast of İzmir in western Anatolia (now in Turkey), Ghiordes prayer rugs are characterized by their distinct design elements and historical significance in carpet weaving. Ensuring durability and longevity, they are crafted from high-quality silk and feature an angular prayer niche, known as a mihrab, which indicates the direction of Mecca for Muslim prayers. Surrounding the niche are decorative spandrels, often adorned with geometric patterns or floral motifs. Ghiordes rugs are valued for their craftsmanship, intricate designs, and importance in facilitating the practice of Islamic prayer...

Floral Symphony: Müller's 1904 Botanical Illustrations This collage comprises three botanical prints from Walter Müller's 1904 tome, which meticu...

A lovely impressionist portrait graphite drawing on paper titled “Madame de Galéa” by Pierre-Auguste Renoir. Hand signed “R” on the bottom left. Created circa 1900s. On the verso it ...

Striking depiction of a map of the New Netherlands after the Dutch purchase in 1626, including New Amsterdam or modern day New York City. Handmade in France around the turn of the 20...

A beautiful antique dog portrait of a Gordon Setter. The painting is dated 1902 and signed by Médard Tytgat. It is a beautiful scene, the dog pos...

Ismael de la Serna "Music" oil on canvas signed and dated 1929. Published in the catalogue held at "Centro Cultural Conde Duque" in 1990

Black Forest Red Deer Trophy on Carved Wooden Plaque 1908 Antique trophy of a red deer (Cervus elaphus) from the Black Forest, hunted in 1908. The large antlers are mounted on a woo...

Handcolored heliotype of two French ships after a work of Jean-Jérôme Baugean, created in circa 1920. This original print is described as a handcolored heliotype, a technique that w...

Original vintage Asia travel poster for Benares The Holy City issued by the East Indian Railway (1845-1952) featuring artwork titled The Bathing Gh...

Richly hued and dramatically staged, this Art Deco tapestry by Carl Edvin Svensson depicts a reclining nude Artemis in the lower left corner, reigning over a world of nude hunters an...

Victor Isbrand (Danish, 1897-1989) Javanese market, oil on canvas. Frame size (cm):60 x 79 x 5 Artwork size: 52 x 70 Signed V. Isbrand in the lower right corner and on the flip size...

Early twentieth century photo by Edwin Levick of the Lawley Built Yacht “Caritas”. Caritas was a 112 foot private power yacht constructed at George Lawley and Son, Neponset Mass. Hom...

Ephemeral Elegance: Orchids of 1904 in Müller's Illustrations Description: This collage presents a trio of exquisite botanical illustrations from Walter Müller's 1904 book, a compre...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Great map of The World Original color. Good condition / minor foxing Published by Alexander Gross Unframed.

Original vintage LNER train travel poster designed by one of England's leading poster artists Austin Cooper (1890-1964): The Trossachs Tour Scotland by London and North Eastern Railw...

This signed lithograph, numbered 60/275, originates from an 1892 poster and bears the seal of the Musée d’Albi. This well-known lithograph by Toulouse-Laut...

Framed Village Landscape with Houses, 1920's France A beautiful Parisian painting on canvas depicting a peaceful village landscape with a row of houses on a street featuring a scene...

Original antique travel poster for Krakau / Krakow in Poland featuring artwork of the historic 14th century royal Wawel Castle in the medieval old town (a UNESCO World Heritage Site ...

Vintage framed Renoir reproduction of Nude Female in stylized wooden frame. Ready to hang with wire along the back French, circa 1920. Size of frame: 14 x 16 inches; 2.5"D Condit...

Collection of Thirty-Five Framed Antique Iron Keys

A sentimental etching on paper depicting a seated woman by American artist Myron Barlow (1873-1937). Hand signed in pencil on the bottom right. A lovely depiction of American Realism...

Vintage framed Still Life Oil Painting of Fruit with Pitcher. Framed in a lovely wooden frame. Ready to hang with wire along the back. French, circa 1920. Size of frame: 16 x 18 i...

This original antique collage brings together two botanical prints from Walter Müller's 1904 publication, which meticulously cataloged orchid species in Germany and the surrounding a...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Three stunning and rare hand-painted French engravings depict Parisian couture at the height of the Belle Epoque and Art Nouveau Movement (1880-1914). Each composition also gives the...

Enhance your living space with these captivating framed prints showcasing cartoon character Golfers. Created with meticulous attention to detail, these prints effortlessly bring life...

Original antique Russian anti-Tsarist Civil War propaganda poster - To the Deceived Brothers (In the White Guard Trenches) First Message from Demyan Bedny / Обманутым братьям (В бело...

The collage features two antique botanical prints of Listera orchids from Walter Müller's book on orchid species found in Germany and surrounding areas, published in 1904. The firs...

Early 20th Century Framed Landscape with Haystacks, France A beautiful European painting on board depicting a bucolic landscape with haystacks at the forefront. Lush green landscape with trees, a split rail...

Original vintage drink poster advertising Cognac Monnet featuring a stunning design by the renowned poster artist Leonetto Cappiello (1875-1942) depicting a lady in a pink dress with...

This print depicts an American frigate from the caption "Frégate des États-Unis d'Amérique, courant au mouillage," which translates to "Frigate of the United States of America, runni...

Snowy Landscape – Kusche Alfred Opera size: 60 x 80 cm Dimensions with cornice: 78 x 98 cm Technique: oil on rigid cardboard Period: year ’20 Suggestive winter paesaggio, one of th...

An early 20th Century Khotan Samarkand Rug with a pictorial design on a pink field 4'' x 7'10''

A fantastic vintage Boho original oil painting on canvas. A chic portrait in deep rich colors. Signed by the artist. A beautiful all over patina from time. Acquired from a Palm Beach...

Original Nautical chart showing the harbor and local waters of Westport Mass, Narraganset Pier R.I. The chart displays depths, the Narraganset Pier, Little Neck Westport Harbor, Hors...

These original antique botanical illustrations are from Walter Müller's 1904 publication, which showcases the foundational forms of orc...

A charming antique 1920s oil on canvas painting of a mountain scene in a period frame. While the work is well executed it is unsigned. The painting was collected in France so presuma...

A circa 1920 highly decorative water gilded Italian sunburst, hand carved wooden rays with a brass sun face to the centre. Original hanging hook to the rear. Width 55cm x Depth 5cm.