Abstract Prints

Villa Nueve by Conrad Marca-Relli, American (1913–2000) Date: 1982 Lithograph on Somerset, signed and numbered in pencil Edition of 250 Size: 22 in. x 27 in. (55.88 cm x 68.58 cm)

Valentine Love (number 10 white) R By Agent X [2021] limited_edition Mixed Media Edition number 100 Image size: H:55 cm x W:55 cm Complete Size of Unframed Work: H:55 cm x W:55 c...

ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...

Lithograph, 1964 Handsigned by the artist in pencil Edition : /500 Publisher : Les Peintres Témoins de leur Temps, Paris Printer : Charles Sorlier, Paris Catalog : 206 72.50 cm....

"Original Lithograph VI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 70/75 75.50 cm. x 65.50 cm. 29.72 in. x 25.79 in. (paper) 60.00 cm. x 42.50 cm. 23.62 in. x 16.73 in. (image) Our ...

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Screen Print on Lenox Museum Board Stamped by Estate, Sticker, Label, Unsigned, Authenticated by AWAAB, with COA

An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...

Silkscreen realized by Alberto Burri in 1986. Artist proof out of an edition of 50. Image dimension 60x60 cm. Hand signed and dedicated. Excellent condition.

Computer City is a frenzy of colors and action. This is a city scene with stop lights, parking signs, directional signs, stop signs, digital time clock, buildings, streets and a mass...

Joan Miró M.990 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed in white crayon From a rare signed edition of 15, annotated EA/15 Mourlot 990 from Miró L...

Banging the Drum DETAILS 27 x 17 inches (unframed), 2020 Offset lithograph 80# Classic Linen Solar White Cover

Howard Hodgkin (1932-2017), one of Britain’s greatest contemporary artists became best known for his vibrantly colored paintings that chronicle his personal experiences. IN TANGIER...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

A Hahnemuehle Fine Art Print, attributed to Roy Lichtenstein. Editioned of 25.

Carlos Cruz Diez Couleur Additive Germania, 2018-2019 Screenprint in colors on heavyweight wove paper Ed. of 50 Edition Domberger, Stuttgart, Germany Published under the supervision ...

Lithograph in colours on wove paper Edition 24 of 100 56 x 65 cm (22 x 25.6 in) Signed, numbered and dated on the front Mint Framed under Perspex in a silver painted dark wooden frame

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

Medium: original lithograph. Printed in 1974 for the art revue XXe Siecle (issue number 43, devoted to Surrealism) and published in Paris by San Lazzaro. Sheet size: 12 1/4 x 9 3/8 i...

Raymond Pettibon 1982: Rare original punk flyer featuring artwork by Pettibon for a gig by Hari-Kari, Wasted Youth at Dancing Waters, in downtown San Pe...

Piège is an original contemporary artwork realized by Guillaume Corneille in 1956. Original Lithograph on vélin paper Hand signed and dated in pencil on the lower margin. Guillau...

Artist: Alexander Calder (1898-1976) Title: Sky Swirl, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 26 x 20 inch...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant II" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edi...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Hand Signed. Artist's Proofs in Arabic and Roman Numbers.

"Jusqu'a L'Abstraction" is a lithograph poster by Wassily Kandinsky. This poster depicts abstract forms in purple, pink, blue, and black and was created for the Maeght gallery in Par...

Sonia DELAUNAY Flamenco : Spanish Dancer, 1972 Original lithograph (Printed in Mourlot workshop) Unsigned On heavy paper 31 x 24 cm (c. 12 x 10 inch) Edited by San Lazzaro in 1972 ...

Artist: Charles Christopher Hill, American (1948 - ) Title: Socony Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 15/19 Size: 30.5 x 23 inches Frame Size: 33.2...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

Marlon Mullen (b. 1963, Richmond, CA) has been painting at NIAD Art Center, a progressive studio for artists with developmental disabilities since 1986. Mullen draws his inspiration ...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 10/100 Publisher : Éditions L'Oeuvre Gravé Printer : Jean Pons (Paris) Catalog : [Polieri 1751 p.610-611] 65.00 cm. x...

Colored Composition is an original screen print realized by Umberto Maria Casotti in 1971. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of 27/80 pri...

Swing III (Big Drop) by Herbert Oehm, 1972 Additional information: Medium: screenprint 72 x 72 cm 28 3/8 x 28 3/8 in signed and numbered in pencil Herbert Oehm is a German Postwar ...

Created as a one-off limited edition; exact number unknown, but scarce collectible: David Hockney The Rake's Progress, 2019-2020 Fine Bone China finished with platinum gilding in ele...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Axsom, Richard H., and Ellsworth Kelly. The Pri...

Victor VASARELY (1908-1997) - Zither Serigraphy on cardboard with silver background in relief signed lower right Height: 60 cm - Width: 40 cm 1973 900€

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 60" x 48" and is an edition of 95. Printed on canvas, this print ships rolled with natural c...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of red, orange, green, yell...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Victor Vasarely (Hungarian/French, 1906-1997) Rubin, 1964 Screenprint in Colours from the Lapidaire portfolio signed in pencil lower right with blind stamp, numbered edition "41/15...

This is a monotype print meaning that it is a unique print with no other editions. This geometric abstract monotype on Asian paper layers shapes in cobalt blue, maroon, red, black, g...

Claes Oldenburg Houseball with Fallen Toy Bear, 2013 Color lithograph on Japanese watercolor paper Hand signed and numbered 21/50 by Claes Oldenburg on the front 38 3/5 × 44 inches U...

Fletcher Benton Etching on wove paper in artist's frame Signed by the artist with his printed signature in graphite, signed by the artist with his hand signature also in graphite, nu...

Orbiting Masses is an exclusive handmade cyanotype diptych that features modern, abstract rocky shapes rendered in deep indigo tones. Each panel captures the raw texture and organic ...

The poster titled Tapies Monotypes was produced for an exhibition showcasing the works of the renowned Catalan artist Antoni Tàpies at Galerie Maeght in Paris, held in June 1974. Thi...

Sitting in an armchair, the woman with a heart-shaped torso is rendered with simple rectangular shapes outlined by cobalt blue and bright yellow. Set against a soft pastel background...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

This original exhibition poster was created to accompany Richard Diebenkorn’s celebrated Ocean Park Series: New Work exhibition at Marlborough Galerie in Zürich, showcasing a fresh e...

Into the Space is an original screen print and embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 s...

"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

Artist: Salvador Dali (1904-1989) Title: Jardin biologique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Organic garden, Imaginations and Objects of the ...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1972 E...