Botolo Low

From its unorthodox beginnings, Italian manufacturer Arflex grew into one of the leaders of 20th-century furniture design. Its furniture came to be known for its integration of new materials and bold appeal, and today a variety of vintage Arflex chairs, sofas and tables are emblems of mid-century modernism.

Arflex was established in Milan in 1947 by Pirelli employees Carlo Barassi, Pio Reggiani, Renato Teani and Aldo Bai. Barassi, a Milan Polytechnic graduate and visionary engineer at the Italian tire manufacturer, explored innovative technology and new uses for synthetic materials in domestic products (for Kartell, he codeveloped a ski rack for automobiles). The four founders partnered with a young architect named Marco Zanuso, who also desired to create furniture that featured an application of novel materials such as elastic tape and polyurethane foam.

One of Arflex’s inaugural pieces was Zanuso’s Lady armchair, a seat made of polyurethane foam that was manufactured in pieces and assembled at the very end of the production process. It won a gold medal at the 1951 Milan Triennale. A couple of years later, Arflex collaborated with Studio BBPR to create the office-chic Elettra and Neptunia chairs. The flourishing furniture company quickly established a reputation for compelling products and attracting and working with up-and-coming designers such as Roberto Menghi, who created Hall, a luxurious line of seating that would earn the Compasso d’Oro – Honorable Mention in 1959.

In the 1960s, Arflex continued to welcome the use of new and cutting-edge materials. Popular designs from this decade include Carlo Bartoli's fiberglass and polyester resin Gaia lounge chair and Cini Boer’s Bobo Relax lounger, one of history’s first seating pieces made of polyurethane foam (it has no internal frame). Boer, a pioneer of furniture design in Italy, also created the Strips sofa for the brand in 1972. Part of a plush modular seating system, the Strips sofa became an Arflex icon and was awarded the Compasso d'Oro in 1979.

Arflex continues to work with innovative designers to this day. Among their more recent collaborations is with Swedish design studio Claesson Koivisto Rune. The company's legendary creations are also on display at museums worldwide. The Lady chair, for example, is in the permanent collection of the Museum of Modern Art in New York City.

On 1stDibs, you can find a collection of vintage Arflex lounge chairs, armchairs, coffee tables and other furniture.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.