Drexel Heritage Bird Fabric

While vintage Drexel Furniture dining tables, dressers and other pieces remain highly desirable for enthusiasts of mid-century modern design, the manufacturer's story actually begins decades before its celebrated postwar-era Declaration line took shape.

In 1903, in the small town of Drexel in the foothills of North Carolina’s Blue Ridge Mountains, six partners came together to found a company that would become one of the country’s leading furniture producers. The first offerings from Drexel Furniture were simple: a bed, washstand and bureau all crafted from native oakwood, sold as a bedroom suite for $14.50.

One of Drexel’s early innovations was to employ staff designers, something the company initiated in the 1930s. This focus on design, which few other furniture companies were committing to at the time, allowed Drexel to respond to a variety of new and traditional tastes. This included making pieces inspired by historic European furniture, like the popular French Provincial–style Touraine bedroom and dining group that borrowed its curves from Louis XV-era furniture. Others replicated the ornate details of 18th-century chinoiserie or the embellishments of Queen Anne furniture. Always ready to adapt to new customer demands, during World War II, Drexel built a sturdy desk designed especially for General Douglas MacArthur.

In the postwar era, Drexel embraced the clean lines of mid-century modernism with the Declaration collection designed by Stewart MacDougall and Kipp Stewart that featured elegant credenzas and more made in walnut, and the Profile and Projection collections designed with sculptural shapes by John Van Koert. In the 1970s, Drexel introduced high-end furniture in a Mediterranean style.

Drexel changed hands and visions throughout the years. It was managed by one of the original partners — Samuel Huffman — until 1935, at which time his son Robert O. Huffman took over as president. It was then that the company began to expand, with several acquisitions of competitors in the 1950s, including Table Rock Furniture, the Heritage Furniture Co. and more.

With the manufacturer’s success — spurred by its embrace of advertising in home and garden magazines — it opened more factories in both North and South Carolina. By 1957, the company that had started with a factory of 50 workers had 2,300 employees and was selling its furniture nationwide.

Drexel underwent a series of name changes in its long history. Its acquisition of Southern Desk Company in 1960 bolstered its production of institutional furniture for dormitories, classrooms, churches and laboratories.

In the following decades, contracts with government agencies, hotels, schools and hospitals brought its high-quality furniture to a global audience. U.S. Plywood-Champion Papers bought Drexel Enterprises in 1968, and it became Drexel Heritage Furnishings.

In 2014, the last Drexel Heritage plant, in Morganton, North Carolina, reportedly closed its doors. The company rebranded as Drexel in 2017.

The vintage Drexel furniture for sale on 1stDibs includes end tables designed by Edward Wormley, walnut side tables designed by Kipp Stewart and lots more.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames. 

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.