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Josef Frank Camel Lamp

'Large Camel' Floor Lamp by Josef Frank, Sweden
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Designed by Josef Frank in 1939. New leather and original Svenskt tenn lampshade.
Category

Vintage 1930s Swedish Scandinavian Modern Floor Lamps

Materials

Brass

Pair of 'Large Camel' Floor Lamps by Josef Frank, Sweden, 1960s
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Designed by Josef Frank in 1939, this pair produced circa 1960s. New leather and new original
Category

Vintage 1960s Swedish Scandinavian Modern Floor Lamps

Materials

Brass

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Floor Lamp ‘Small Camel’ Designed Josef Frank for Svenskt Tenn, Sweden. 1950's
By Josef Frank
Located in Stockholm, SE
Brass.
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Brass floor lamp ‘Small Camel’ model 2568 by Josef Frank for Svenskt Tenn, 1939
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Located in Stockholm, SE
Floor lamp ‘Small Camel’ model 2568 designed by Josef Frank for Svenskt Tenn, Sweden, 1939. Brass
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Josef Frank, Floor Lamps "G 2368", Leather and Brass, Firma Svenskt Tenn
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Floor lamp model G 2368, also known as the big camel, designed by Josef Frank in 1939 for Firma
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Brass "Camel" Floor Lamp by Josef Frank
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Beautiful, poised “Camel” floor lamp by Josef Frank, made from brass. Adjustable height. The disc
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Brass "Camel" Floor Lamp by Josef Frank
Brass "Camel" Floor Lamp by Josef Frank
H 57.09 in W 19.69 in D 15.75 in
Brass "Camel" Floor Lamp by Josef Frank
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Beautiful, poised “Camel” floor lamp by Josef Frank, made from brass. Adjustable height. The disc
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Brass "Camel" Floor Lamp by Josef Frank
Brass "Camel" Floor Lamp by Josef Frank
H 57.09 in W 19.69 in D 15.75 in
Vintage Midcentury "Camel" Floor Lamp by Josef Frank, Sweden, 1950s
By Josef Frank, Svenskt Tenn
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Pair of 'Large Camel' Floor Lamps by Josef Frank, Sweden, 1960s
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Located in Stockholm, SE
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Pair of 'Large Camel' Floor Lamps by Josef Frank, Sweden, 1960s
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Designed by Josef Frank in 1939, this pair produced circa 1960s. New leather and new original
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Pair of 'Large Camel' Floor Lamps by Josef Frank, Sweden, 1960s
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Designed by Josef Frank in 1939, this pair produced circa 1960s. New leather and new original
Category

Vintage 1960s Swedish Scandinavian Modern Floor Lamps

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Floor lamp ‘Small Camel’, Model No. 2568, Josef Frank for Svenskt Tenn
By Josef Frank, Svenskt Tenn
Located in Goteborg, SE
This lamp is called the "Small Camel" and was designed by the Austrian designer Josef Frank for
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Adjustable Brass "Camel" Floor Lamp by Josef Frank for Svenskt Tenn, Sweden
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Beautiful, poised “Camel” floor lamp by Josef Frank, made from brass. Design from 1939. Adjustable
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Josef Frank, Early "Large Camel" Floor Lamp, Brass, Fabric, Svenskt Tenn, 1950s
By Josef Frank, Svenskt Tenn
Located in High Point, NC
An early production adjustable "Large Camel" floor lamp. Designed by Austrian architect Josef Frank
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Floor Lamp ‘Small Camel’, Model No. 2568
By Josef Frank
Located in Stockholm, SE
Brass. H: 160 cm/ 5' 2 7/8" Diameter of the base: 46 cm/ 18".
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Vintage 1950s Swedish Scandinavian Modern Floor Lamps

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Josef Frank Floor Lamp, Model 2568
By Josef Frank, Svenskt Tenn
Located in New York, NY
Adjustable floor lamp in brass with pleated fabric shade, sine-curve or "camel" armature, and
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Josef Frank Floor Lamp, Model 2568
Josef Frank Floor Lamp, Model 2568
H 60 in W 26 in D 11.5 in
Josef Frank Floor Lamp Model No. 2568, Sweden, 1950s
By Josef Frank
Located in London, GB
Original Josef Frank ‘Small Camel’ floor lamp, Model No. 2568, designed for and produced by Svenskt
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Josef Frank "Big Camel" Floor Lamp, Svenskt Tenn, Sweden, 1939
By Josef Frank
Located in Salzburg, Austria
Josef Frank designed this lamp in 1939. It is called the "large camel" as the bent arm resembles a
Category

Vintage 1930s Swedish Scandinavian Modern Floor Lamps

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Josef Frank for sale on 1stDibs

Austrian architect and furniture and fabric designer Josef Frank was a leading voice for a gentle, humane modernism. His advocacy of warm, comfortable, eclectically styled environments was highly influential in his adopted country of Sweden, and it’s now widely regarded as a harbinger of the backlash against doctrinaire modernism and the embrace of the homespun that occurred in the late 1960s.

The son of a successful Viennese textile manufacturer, Frank studied architecture at Vienna University of Technology, graduating in 1910. From the first years of his practice, he marched counter to the orderly, symmetrical architectural layouts and decors prescribed by contemporaries such as Adolf Loos.

Frank drafted rooms of varying shapes and called for flexible interior-design arrangements. His furniture pieces are light and easy to move — and his chairs are always made of wood, most often with lushly curved steam-bent arms and slatted backs. Frank openly loathed the tubular steel furnishings and “machine for living” aesthetic promoted by Le Corbusier and Ludwig Mies van der Rohe and other Bauhaus principals. “The home must not be a mere efficient machine,” Frank once said. “It must offer comfort, rest and coziness…. There are no puritan principles in good interior decoration.”

Frank — who was Jewish — sensed the dire implications of the rise of Nazism in Germany and Austria, and in 1933 he moved to Stockholm with his Swedish wife, Anna. He became the design chief for the furnishings maker Svenskt Tenn and found a perfect match culturally for his brand of simple, relaxed and bright creations. Like many modernists — notably Charles and Ray Eames and Alexander Girard — Frank had a deep love of folk art, which influenced his designs for a wide array of colorful, richly patterned upholstery fabrics, many based on the classic “Tree of Life” motif.

In all his designs, Frank took inspiration from a broad variety of sources. In his furniture, one can discern traces of Asian patterns, Rococo, Italian Renaissance, Scandinavian handicrafts and even Chippendale pieces. As such, the work of Frank — the friendly modernist — is at home in any type of décor.

Find vintage Josef Frank pillows, armchairs, floor lamps and other furniture on 1stDibs.

A Close Look at Scandinavian Modern Furniture

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

  • Bold, clean lines and simple, sturdy symmetries
  • Use of natural materials — native woods such as pine, ash and beech
  • Open, airy spaces
  • Promotion of functionality
  • Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
  • Minimal ornamentation (little to no embellishment)
  • A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries. 

Materials: Brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstleralso an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right floor-lamps for You

The modern floor lamp is an evolution of torchères — tall floor candelabras that originated in France as a revolutionary development in lighting homes toward the end of the 17th century. Owing to the advent of electricity and the introduction of new materials as a part of lighting design, floor lamps have taken on new forms and configurations over the years. 

In the early 1920s, Art Deco lighting artisans worked with dark woods and modern metals, introducing unique designs that still inspire the look of modern floor lamps developed by contemporary firms such as Luxxu

Popular mid-century floor lamps include everything from the enchanting fixtures by the Italian lighting artisans at Stilnovo to the distinctly functional Grasshopper floor lamp created by Scandinavian design pioneer Greta Magnusson-Grossman to the Paracarro floor lamp by the Venetian master glass workers at Mazzega. Among the more celebrated names in mid-century lighting design are Milanese innovators Achille and Pier Giacomo Castiglioni, who, along with their eldest brother, Livio, worked for their own firm as architects and designers. While Livio departed the practice in 1952, Achille and Pier Giacomo would go on to design the Arco floor lamp, the Toio floor lamp and more for legendary lighting brands such as FLOS

Today’s upscale interiors frequently integrate the otherworldly custom lighting solutions created by a wealth of contemporary firms and designers such as Spain’s Masquespacio, whose Wink floor lamps integrate gold as well as fabric fringes. 

Visual artists and industrial designers have a penchant for floor lamps, possibly because they’re so often a clever marriage of design and the functions of lighting. A good floor lamp can change the mood of any room while adding a touch of elegance to your entire space. Find yours now on 1stDibs.