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Juhl Bo55

Late 1940s Danish Settee in Manner of Finn Juhl Settee by Carl Brorup
By Finn Juhl
Located in Oakland, CA
Danish loveseat sofa in manner Finn Juhl BO-55 by Carl Brorup. Original wool fabric in good
Category

Mid-20th Century Danish Scandinavian Modern Sofas

Materials

Wool

Finn Juhl Sofa Model BO55 by Bovirke in Denmark
By Finn Juhl
Located in Limhamn, Skåne län
Rare sofa model BO55 designed by Finn Juhl. Produced by Bovirke in Denmark.
Category

Vintage 1940s Danish Scandinavian Modern Sofas

Materials

Fabric, Beech

Finn Juhl Sofa Model BO55 by Bovirke in Denmark
Finn Juhl Sofa Model BO55 by Bovirke in Denmark
H 32.29 in W 53.15 in D 28.75 in
Finn Juhl Sofa Model BO55 by Bovirke in Denmark
By Finn Juhl, Bovirke
Located in Esbjerg, DK
Rare sofa model BO55 designed by Finn Juhl. Produced by Bovirke in Denmark. Legs of teak
Category

Vintage 1940s Danish Scandinavian Modern Sofas

Materials

Wool, Teak

Finn Juhl Sofa Model BO55 by Bovirke in Denmark
Finn Juhl Sofa Model BO55 by Bovirke in Denmark
H 31.89 in W 19.69 in D 21.66 in

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Recent Sales

Original Loveseater Designed By Finn Juhl, Denmark.
By Finn Juhl
Located in Copenhagen, DK
BO55 sofa for 2 persons, designed in 1946 by Finn Juhl and manufactured by Carl Brorup, Denmark.
Category

Vintage 1950s Danish Scandinavian Modern Sofas

Materials

Fabric

Rare Finn Juhl Settee Produced by Carl Brorup, Designed in 1946
By Finn Juhl
Located in Stamford, CT
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Mid-20th Century Danish Sofas

Materials

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Finn Juhl Sofa "BO55" for Bovirke, Denmark, 1940s
By Finn Juhl
Located in Stockholm, SE
Early production, produced by Bovike, 1940s. Designed 1946. Dark stained beech legs and reupholstered with honey colored sheepskin.
Category

Vintage 1940s Danish Scandinavian Modern Settees

Materials

Teak

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Finn Juhl for sale on 1stDibs

Along with Hans Wegner, Arne Jacobsen and Børge Mogensen, Finn Juhl was one of the great masters of mid-20th-century Danish design. Juhl was the first among that group to have his work promoted overseas, bringing the character of the nation’s furnishings — and the inherent principles of grace, craftsmanship and utility on which they were based — to an international audience. A stylistic maverick, Juhl embraced expressive, free-flowing shapes in chair and sofa designs much earlier than his colleagues, yet even his quietest pieces incorporate supple, curving forms that are at once elegant and ergonomic.

As a young man, Juhl hoped to become an art historian, but his father steered him into a more practical course of study in architecture. He began designing furniture in the late 1930s, a discipline in which, despite his education, Juhl was self-taught, and quite proud of the fact. His earliest works, designed in the late 1930s, are perhaps his most idiosyncratic. The influence of contemporary art is clear in Juhl's 1939 Pelican chair: an almost Surrealist take on the classic wing chair. Critics reviled the piece, however; one said it looked like a "tired walrus." Juhl had tempered his creativity by 1945, when the Danish furniture-making firm Niels Vodder began to issue his designs. Yet his now-classic NV 45 armchair still demonstrates panache, with a seat that floats above the chair’s teak frame.

Juhl first exhibited his work in the United States in 1950, championed by Edgar Kaufmann Jr., an influential design critic and scion of America’s most prominent family of modern architecture and design patrons. (Kaufmann’s father commissioned Frank Lloyd Wright’s design of the house “Fallingwater.”) Juhl quickly won a following for such signature designs as the supremely comfortable Chieftan lounge chair, the biomorphic Baker sofa, and the Judas table, a piece ornamented with stylish inlaid silver plaquettes.

As you will see from the offerings on 1stDibs, Finn Juhl’s furniture — as well as his lighting, ceramics, tableware and accessories — has an air of relaxed sophistication and elegance that is unique in the realm of mid-20th-century design.

A Close Look at scandinavian-modern Furniture

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

  • Bold, clean lines and simple, sturdy symmetries
  • Use of natural materials — native woods such as pine, ash and beech
  • Open, airy spaces
  • Promotion of functionality
  • Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
  • Minimal ornamentation (little to no embellishment)
  • A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries. 

Finding the Right sofas for You

Black leather, silk velvet cushions, breathable bouclé fabric — when shopping for antique, new or vintage sofas, today’s couch connoisseurs have much to choose from in terms of style and shape. But it wasn’t always thus. 

The sofa is typically defined as a long upholstered seat that features a back and arms and is intended for two or more people. While the term “couch” comes from the Old French couche, meaning to lie down, and sofa has Eastern origins, both are forms of divan, a Turkish word that means an elongated cushioned seat. No matter how you spell it, sofa just means comfort, at least it does today.

In the early days of sofa design, upholstery consisted of horsehair or dried moss. Sofas that originated in countries such as France during the 17th century were more integral to decor than they were to comfort. Like most Baroque furnishings from the region, they frequently comprised heavy, gilded mahogany frames and were upholstered in floral Beauvais tapestry. Today, options abound when it comes to style and material, with authentic leather offerings and classy steel settees. Plush, velvet chesterfields represent the platonic ideal of coziness

Vladimir Kagan’s iconic sofa designs, such as the Crescent and the Serpentine — which, like the sectional sofas of the 1960s created by furniture makers such as Harvey Probber, are quite popular among mid-century modern furniture enthusiasts — showcase the spectrum of style available to modern consumers. Those looking to make a statement can turn to Studio 65’s lip-shaped Bocca sofa, which was inspired by the work of Salvador Dalí. Elsewhere, the furniture of the 1970s evokes an era when experimentation ruled, or at least provided a reason to break the rules. Just about every area of society felt a sudden urge to be wayward, to push boundaries — and buttons. Vintage leather sofas of that decade are characterized by a rare blending of the showy and organic.

With so many options, it’s important to explore and find the perfect furniture for your space. Paying attention to the lines of the cushions as well as the flow from the backrest into the arms is crucial to identifying a cohesive new piece for your home or office.

Fortunately, with styles from every era — and even round sofas — there’s a luxurious piece for every space. Deck out your living room with an Art Deco lounge or go retro with a nostalgic '80s design. No matter your sitting vision, the right piece is waiting for you in the expansive collection of unique sofas on 1stDibs.