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Byron Randall Prints and Multiples

American, 1918-1999

Born in Tacoma, Washington, in 1918, Byron Randall was raised in Salem, Oregon, where he worked as a waiter, harvest hand, boxer, and cook for the Marion County jail to finance his art career. When Randall was 21 years old, a solo show at the Whyte Gallery in Washington D.C. brought his work to national critical attention and launched his professional career. That show was followed by others, over the years, in Oregon, New York, San Francisco, Philadelphia, Chicago, Seattle, Toronto, Montreal, Edinburgh and Inverness, Scotland. Byron Randall had three wives. His first wife was Helen Nelson, a young left-wing Canadian sculptor, whom he met at the Salem Art Center, while attending her classes in sculpture. Her impact on his life was profound: she was responsible for sharpening his commitment to social and trade union activism, and her belief in his talent provided vital support for the fledgling artist. In 1940 they married and moved to Mexico for six months, where they had a child, Gale, and where Randall continued to develop as a painter, inspired by the vibrant landscape and people, and by the work of the Mexican muralists. During the Second World War years, while Randall served in the Merchant Marines, he continued to paint whenever possible. His experiences in the South Pacific influenced his preference for natural forms and bright colours. After the War, Byron and Helen settled in the North Beach area of San Francisco where they had a second child, Jonathan, in 1948. Five years later they left the United States for Canada, driven by the need to escape from the rampant anti-Communism of the time. In 1956 Helen was killed by a car while crossing the road with her young son. Randall and his children returned to San Francisco where he met and married the print-maker and muralist Emmy Lou Packard. Between 1959 and 1968 Randall and Packard ran a Guest House and Art Gallery in Mendocino, California, a small former logging town located on the coast 140 miles north of San Francisco. Randall and Packard were political and environmental activists as well as artists during the 1960s, active in the campaign to protect the area from commercial exploitation and despoliation and in the creation of the Peace and Freedom Party. After the end of their marriage in 1970 Randall established a guesthouse, studio and gallery space in Tomales, California. In 1982 he married Eve Wieland, an Austrian wartime emigre. She was his wife until her death from cancer four years later. For the last nine years of his life Randall's partner was Pele de Lappe, a graphic artist and friend of some 50 years standing. Byron Randall died in August 1999 at the age of 80.

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Artist: Byron Randall
"Schooner + Doryman" First Edition Hand-Colored Woodblock Print
By Byron Randall
Located in Soquel, CA
Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...
Category

1960s American Modern Byron Randall Prints and Multiples

Materials

Gold Leaf

Byron Randall Original Linocut, 1947, “Diabolical Machine”
By Byron Randall
Located in Phoenix, AZ
Original Linocut by San Francisco artist Byron Randall (1918-1999) titled "Diabolical Machine." Image measures: 12 1/2"H x 8 1/4"W. Frame measures: 21 1/2"H x 17"W. This print was c...
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1940s Byron Randall Prints and Multiples

Materials

Paper

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1970s Uc Berkeley Original Silkscreen "Up Against the War Motherland"
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Tugs on the Hudson
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Low Country (South Carolina)
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An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
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From the Ponte Vecchio, Florence
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Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
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Jim Dine - Galerie Maeght 1983
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ICES Pink Lemonade, Bexhill-on-Sea - Pop Art Typography Photography
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ICES Pink Lemonade, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coas...
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The Lovers, Felix de Weldon
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Previously Available Items
"Oak Tree Sonoma" Expressionist Black & White Wood Block by Byron Randall
By Byron Randall
Located in Pasadena, CA
This strong image of a tree in Sonoma is a wood block by Byron Randal. A predominantly figurative artist, Randall experimented with abstraction in the 1940s, and again in the 1980s and 1990s. Throughout his career, he produced still-life, portraits, nudes, and landscapes, in oil, watercolor, gouache, pastel, and print. He also developed plaster sculptures and three-dimensional collages on the theme of the sea (a recurrent interest). Randall's concern for social justice ran throughout his career. It was most explicit in art from the 30s through to the 50s, such as his 1947 'Diabolical Machines' print (held in numerous museums), his Spanish Civil War painting...
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Byron Randall prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Byron Randall prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Byron Randall in gold leaf, gold, gouache and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Byron Randall prints and multiples, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Lawrence Wilbur, Samuel Chamberlain, and Louis Conrad Rosenberg. Byron Randall prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $550 and tops out at $920, while the average work can sell for $735.

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