Prints and Multiples

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Untitled (Nr. 0732) Nude Photography 36" x 44" Edition 1/12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5351

In La Cama, Botero adds a clever twist to Botticelli's The Birth of Venus by reimagining Venus rising not from the sea but from her bed. The contrast between the monumental figure of...

Image dimensions: 22.5 x 34.7 cm. Uccellini imbalsamati is an original artwork realized by the Italian artist and poet Luigi Bartolini in 1943. Original etching on paper.  Signed ...

Artist: Robert Rauschenberg Title: Quarry Medium: Offset lithograph in colors Year: 1968 Edition: 500 Frame Size: 41 1/2" x 33" Sheet Size: 35 1/2" x 26 1/2" Signature: Signed in the...

Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...

Paper Size: 14 x 7.5 inches ( 35.56 x 19.05 cm ) Image Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Framed: Yes Frame Size: H: 15.625 x W: 12.625 x D: 1 in. Condition: A-: Near Mint, ...

Takashi Murakami DOB Skateboard Deck Triptych 2018: A highly decorative Takashi Murakami skateboard set/triptych that makes for vibrant one of a kind wall-art that hangs with ease. T...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

David Shrigley I Destroyed The Tennis Ball, 2023 26 colour screenprint with a two varnish overlay printed on Somerset Satin Tub sized 410 g...

Original colored lithograph of the horse races at Longchamp in Paris, France. The lithographs is done in a classic Art Deco style. Condition is excellent. Circa 1980. Edition size ...

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Contemporary School, Blurred Fruit, Chromogenic Print in Colors on Acrylic panel, sky blue ground with pale central image of fruit, apparently unsigned, unframed. 40" H x 29.75" W. P...

Robert Mangold A Square with Four Squares Cut Away, 1976 Numbered on the back Rubber stamp print on custom cut Cambersand paper Stamp made by Unity Engraving Company, Inc. Printed by...

This refined lithograph by Georges de Feure was created in 1896 for the 5th exhibition of the Salon des Cent at 31 Rue Bonaparte in Paris, published as Plate 10 in the prestigious Le...

artist: Adrien Barrere (1877-1931) title: Passing the Bar medium: Lithograph paper size: 19.75 x 25.50 image size: 18 x 24.25 French caricaturist...

Artist: Pablo Picasso Title: Square Head of a Woman with Full Lips Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition Size: 289 Framed Size: 18 3/4" x 16 3/4"...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Cosmos Color woodcut with gauffage (embossing), January 1940 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: excellent Image size: 14 3/8 x 9 5/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...

Created after Roy Lichtenstein's iconic Moonscape Banner (1966), this folded screenprint on wove cardstock was published by Multiples, Inc. (New York) in 1969, and would later be use...

French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...

Alberto Magnelli (1888-1971) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed....

Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Not signed. C...

Original Aspen Colorado town and mountain scene printed in 1975. Artist: Jim Ford. This poster is archivally linen-backed in excellent condition, Grade A, and ready to frame. No...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Pablo Picasso, After, Spanish (1881 - 1973) - Buste de Faune. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.53 x...

"Bernard Buffet: Oeuvre Gravé" is a 1967 publication that showcases the lithographic works of French artist Bernard Buffet from 1952 to 1966. The book contains 11 original color lith...

Marcel Duchamp was one of the pioneers of Dada, a movement that challenged preconceived notions of what art should be and how it should be made. In the years leading up to World War I, Duchamp enjoyed success as a painter in Paris. But he soon abandoned painting almost entirely, explaining, "I was interested in ideas, not just visual products." Seeking an alternative to representing objects in paint, Duchamp began to present objects as art...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Pablo Picasso (1881-1973) - Femme nue couchée et joueur de flûte Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the pa...

Artist: Paul Cezanne Title: Guillaumin au pendu (Guillaumin with Hanged Man) Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition...

PARR (1893-1969) KINNGAIT (CAPE DORSET) HUNTER HAULING A SEAL, 1966 #2, Stonecut, signed, titled numbered 28/50 Dorset 1966. Image 14 x 22 ¼. Full sheet ...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Li...

CHILDE HASSAM (1859 – 1935) OLD CHINATOWN - SAN FRANCISCO 1904 (Cortissoz 95 i/iii?) Etching, 5 ¼ “ x 5”. Signed and dated in the plate and with his cypher in pencil. An early state before additional work as in the example at Cornell University. Very Scarce print. On old ledger paper. Sheet 9 5/8” x 7”. Pre San Francisco earthquake. Based on a rare photograph by Arnold Genthe...

'Cactus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand an...

This artwork titled "Delassement (Relaxation)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. The plate mark (Image) size...

Image dimensions: 17.4 x 23.5 cm. Le marocchine (Maurina e sua sorella) is an original artwork realized by Luigi Bartolini in 1944. Original etching and China ink on paper. Titled, dated and signed on plate on the lower central: "Maurina 1944 14 giugno L. Bartolini". Titled, dated, numbered and hand-signed in pencil at the bottom: "Le marocchine 1944 Es. 9/30 Luigi Bartolini". Excellent conditions. Other titles of the work: Maurina; Maurina e sua sorella; Le marocchine (Ragazze da marocchini). The work is also present in the book Arthur Rimbaud, Une saison en enfer - De Luigi, Rome, 1943. Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant I" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edit...

Lilian Shao, China. "Chrysanthemum Song" Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 144/300 on the l...

Screenprint on aluminium Edition 27 of 30 103 x 145 cm (40.5 x 57 in) Incised with signature, numbered and dated on the reverse Condition on request This work is framed in the origin...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 154, 1965. Published by Aimé Maeght, Éditeur, Paris; pr...

Salvador Dali (Spanish, 1904 – 1989) The beloved is as fair as a company of horses Etching with gold dust on arches. Signed and numbered ‘204 / 250’ (lower left) and ‘Dali’ (lower ...

Stencil, 1952 Not signed Edition : 167/200 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 35.50 cm. x 45.50 cm. 13.98 in. x 17.91 in. (image) Johannot paper Handwritten notes...

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 10.5 inches ( 37.465 x 26.67 cm ) Framed: No Condition: A: Mint Additional Details: "Watercolors from the...

Artist: Harold Altman (American, 1924-2003) Title: Afternoon Year: c.1980 Medium: Original color lithograph Edition: Numbered 62/225 in pencil Paper: Arches Image size: 10.75 x...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Hand signed and numbered. Edition of 100 prints. On headed paper.

Medium: etching (after Rembrandt). Also called "Les trois Mendiants". This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This i...

Medium: linocut re-creation (after the original Picasso linocut). Picasso started making linoleum cuts during the late 1950's and the originals were issued by Galerie Louise Leiris i...