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Axel Einar Hjorth Typenko Chair

Set of Three Chairs “Typenko” by Axel Einar Hjorth, Nordiska Kompaniet, Sweden
By NK (Nordiska Kompaniet), Axel Einar Hjorth
Located in Stockholm, SE
Set of three chairs “Typenko” designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden. 1944
Category

Vintage 1940s Swedish Scandinavian Modern Chairs

Materials

Velvet, Birch

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Single Wooden Dining Utö Chair in Pine by Axel Einar Hjorth for NK Sweden, 1932
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Axel Einar Hjorth, Sandhamn Chairs, 1929
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Axel Einar Hjorth, Sandhamn Chairs, 1929
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Set of Eight Axel Einar Hjorth "Utö" Pine Chairs by Nordiska Kompaniet, 1930s
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"Typenko" Console/bookcase by Axel Einar Hjorth.
By Axel Einar Hjorth, Nordiska Kompaniet
Located in Long Island City, NY
"Typenko" Console/bookcase designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden. Circa 1933. Stained birch. Manufacturer label with numbers attached.
Category

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Axel Einar Hjorth, Book Shelf/Console Table, “Typenko” 1930s, Nordiska Kompaniet
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Unique Lovö Cabinet by Axel-Einar Hjorth, 1940s
By Axel Einar Hjorth, NK (Nordiska Kompaniet)
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Unique "Lovö" cabinet by Axel-Einar Hjorth with unique leg stand, produced by Nordiska Kompaniet, 1945.   
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Unique Lovö Cabinet by Axel-Einar Hjorth, 1940s
Unique Lovö Cabinet by Axel-Einar Hjorth, 1940s
H 57.09 in W 40.36 in D 18.12 in
Axel Einar Hjorth Mirror Model Typenko Produced by Nordiska Kompaniet in Sweden
By Axel Einar Hjorth
Located in Limhamn, Skåne län
Rare mirror with shelf model Typenko designed by Axel Einar Hjorth. Produced by Nordiska Kompaniet in Sweden.
Category

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Materials

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Recent Sales

Pair of Axel Einar Hjorth "Typenko" Chairs for Nordiska Kompaniet, Sweden, 1930s
By NK (Nordiska Kompaniet), Axel Einar Hjorth
Located in Stockholm, SE
Rare pair if Axel Einar Hjorth "Typenko" dining chairs produced by Nordiska Kompaniet AB in
Category

Vintage 1930s Swedish Scandinavian Modern Chairs

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Typenko Chairs by Axel Einar Hjorth for Nordiska Kompaniet, 1930s, Set of 6
By Axel Einar Hjorth, Nordiska Kompaniet
Located in Uppsala, SE
Set of six Typenko chairs designed by Axel Einar Hjorth in 1931 for Nordiska Kompaniet. Frame of
Category

Vintage 1930s Swedish Scandinavian Modern Chairs

Materials

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Axel Einar Hjorth, Dining Set, Nordiska Kompaniet, 1930s
By NK (Nordiska Kompaniet), Axel Einar Hjorth
Located in Uppsala, SE
Rare dining set designed by Axel Einar Hjorth for Nordiska Kompaniet (NK) in the first half of the
Category

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Materials

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Axel Einar Hjorth Typenko Birch Chair 1935
By Axel Einar Hjorth
Located in Uccle, BE
A chair made by Axel Einar Hjorth during his Swedish Grace/ Swedish Art Deco period in 1935. Made
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Axel Einar Hjorth Typenko Birch Chair 1935
Axel Einar Hjorth Typenko Birch Chair 1935
Free Shipping
H 34.65 in W 18.51 in D 15.36 in
Pair of Swedish Grace Side Chairs Attributed to Axel Einar Hjorth
By Axel Einar Hjorth, Nordiska Kompaniet
Located in Babworth, Retford
'. Probably part of Axel Einar Hjorth's Typenko range, Sweden, 1938.
Category

Vintage 1930s Swedish Scandinavian Modern Chairs

Materials

Velvet, Birch

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A Close Look at Scandinavian Modern Furniture

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

  • Bold, clean lines and simple, sturdy symmetries
  • Use of natural materials — native woods such as pine, ash and beech
  • Open, airy spaces
  • Promotion of functionality
  • Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
  • Minimal ornamentation (little to no embellishment)
  • A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries. 

Finding the Right chairs for You

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.