Art

October, 100x150 cm, Oil, Canvas, sand

Impressive early American modernist sunset beach scene oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 20L.

"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed. BIO Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

"The Tailor" is an original artwork by Eustace Mamba and measures 24"h x 30"w x 2"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of texture and ...

Andreas Roth (American, 1871-1949) Grand Canyon, 1943 Oil on canvas Signed and dated lower right 24 x 34 inches 29.5 x 39 inches, framed Andreas Roth was a German painter. Son of th...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

ARTIST: William Arkle (1924-2000) British TITLE: "Woodland Study With Building" MEDIUM: oil on canvas SIZE: 63cm x 48cm inc frame NOTES: Painter, philosopher and composer, he train...

ARTIST: Frank Johnson (1917-1998) British TITLE: “Female Nude In Bathroom Interior" MEDIUM: oil on canvas SIZE: 70cm x 59cm inc frame CONDITION: very goo...

In the context of Carl Jung's concepts, this work deeply resonates with the notion of the "collective unconscious" and the "shadow" – those aspects of the psyche that are hidden in t...

11 Colour Screenprint on Somerset Tub Sized 410gsm Paper
 hand-signed and numbered 76 x 56 cm Edition 77 of 125
 published by Jealous Gallery and comes with publisher COA David Shri...

Based on the 2005 concrete sculpture of the stone Peckham Rock sculpture by Banksy. Banksy placed the original sculpture at the British Museum without permission with a official loo...

The Provencal House French, mid/second half 20th century indistinctly signed oil painting on canvas, framed framed: 28.75 x 47 inches canvas: 22.75 x 46 inches condition: very good...

Marlon Mullen (b. 1963, Richmond, CA) has been painting at NIAD Art Center, a progressive studio for artists with developmental disabilities since 1986. Mullen draws his inspiration ...

Morning Glory (Till Death do us Part) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Ar...

Mâtinée à l'atelier 40 x 32 cm Acrylic on Canvas "Mâtinée à l'atelier" offers a vibrant and dynamic depiction of a morning spent in the artist’s studio. Exemplifying the unique Diac...

Francesca Owen weaves and narrates throughout this canvas. She draws the eye into her painting, beautifully creating the story. The colours in this work are warm and mellow which cre...

"Alexandria 1" Mixed Media Wood Sculpture 39" x 18" inch by Alfons Louis Wooden work with elements of Bronze, Glass, and Iron. ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandria. In 1982 – Member of plastic art Egypt, member of Atelier Alexandria And member of Alexandria Work shop center...

John Vitale works on many canvases at once, moving between them, adding brushstrokes in acrylic paint, house paint and mark making with pencil and China markers. His process is intui...

Painted cast resin sculpture with decorative box, as issued. Sculpture Size: 4 × 3.5 x 3.5 inches. Inscription: ©Yayoi Kusama, as issued. Notes: Published by Fukutake Foundation, Nao...

This contemporary figurative tabletop sculpture is by Paul Duval. This charming series of indoor sculptures showcases Quebec artist Paul Duval’s skill in capturing the human ‘condit...

Title: Captivated Art Deco, Modern, Abstract, Colorful, Minimalism, Invest, Bold, Joy This series connects to that around as well as that within. Captivated takes the viewer to a ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Crushing - 2017, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Pocket Deep Red & Brown Pomegranate is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to...

Earthen Tantra painting #3 - Abstract tantric stain painting 28" x30" Acrylic and oil pigment stick on raw cotton canvas by abstract artist Elisa Niva....

Heidi von Faber (Dutch artist) Tea Cups 30 x 30 cm (framed, included in price 33 x 33 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays a k...

My works speak of the human condition, the animality that inhabits us, and the creative impulse as a survival strategy. My series are a reflection of my own experience, of the life t...

Mury (Mury Rabin) Man Receiving Himself, c. 1960s Softground monoprint Sight: 16 1/2 x 18 1/4 in. Framed: 23 1/8 x 25 1/8 x 7/8 in. Titled lower right, signed lower left Graphic ar...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

Born in Marseille in the South of France, Fabius Brest studied initially with Émile Loubon in Marseille and subsequently with the Constant Troyon in Paris. Brest travelled to Turkey ...

Medium: lithograph (after the woodcut). Printed in Paris in 1954 by Mourlot and published by Berggruen for a scarce catalogue. Image size: 5 1/2 x 3 inches (140 x 73 mm). There is an...

Three vertical links make up this piece that transmits firmness and solidity. The chain, always a symbol of unity, security and permanence, can also have a playful sense reflected in...

Original art by Daria Kusto. Acrylic , acrylic markers, spray on canvas acrylic varnish Shipped rolled in a tube, From Spain.

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Daisy and Austen in front of Trailer (Till Death do Us Part) - 2005 Edition 5/5, 125x123cm each. 125x520cm installed. 4 Analog C-Prints, hand-printed by the artist on Fuji Cristal ...

Damien Hirst Faneel, H13-11, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 123/192 on the label on th...

Silk Flutters in the Woods is an acrylic on canvas by artist Rene Gonzalez, portraying butterflies dancing above a water puddle in a spellbinding nocturn...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

A woman sits in a sunlit room with soft geometric lines and a peaceful color palette of green, beige, and blue. A black cat rests on her lap, staring out the window at a calm, bl...

Sea Drive 1967 Slim Aarons Limited Estate Edition Film producer Kevin McClory takes his wife Bobo Sigrist and their family for a drive in an ‘Amphicar’ across the harbour at Nassau....

El Venero 1967 El Venero, the Moorish villa of Hector and Chico de Ayala in Marbella, Spain. 60 x 40" inches / 152 x 101 cm paper size. Estate Stamped Collection Edition to 150 ...

Hiraeth is a poignant artwork that beautifully encapsulates a sense of longing for an unreachable home—a place of comfort and belonging that either no longer exists or perhaps never ...

Signed

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

This stunning, large British Impressionist 1940's landscape oil painting is by noted Nottingham artist Arthur Spooner. It was exhibited at the Royal Society of British Artists in 194...

Anders Ståhl – Blue Morning Dream, Grez In this atmospheric work, Blue Morning Dream, Grez, Swedish painter Anders Ståhl transports us to the historic village of Grez-sur-Loing, jus...

Male Nude V (29 Palms, CA) - 1999, 20x20cm, Edition of 10. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 21971. Not mounted THE ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XVIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

Guy with Beatbox by Michael Ormerod is available as a 24" x 34" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Mic...

Printer’s ink from rubber stamp on vélin Dalton natural bond paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. P...

Large Lying Figure I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 46 × 120 × 17 cm (18.1 × 47.2 × 6.7 in). The sculpture is signed and numbered...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

ARTIST: John Michael Webster RSMA (1932-2020) British TITLE: "Cloud Break Over Loch Fyne Scotland" SIGNED: lower left MEDIUM: Oil on board SIZE: 91cm x 67cm inc frame CONDITION: Exc...

Original watercolor painting "Mountain Landscape" portrays a serene winter scene inspired by the majestic Nordic mountains. The composition features a prominent snow-covered mountain...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Werner Bronkhorst, Mockney, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in) ...

Sawrey Gilpin (1733-1807) An English setter reclining in a landscape Signed 'S: Gilpin' lower right Oil on canvas Painting Size - 40 x 46 in Framed Size - 45 x 51 in Provenance Sale, Sotheby's London, 20th November 1985, Lot 104; with Lane Fine Art, London; The Collection of Charlie Watts of The Rolling Stones. Sawrey Gilpin came from an old Cumberland family and pursued a career as a sporting painter—a path he was encouraged to follow as a young man by the Duke of Cumberland, best known for his role in suppressing the Jacobite rising of 1745. Though based primarily in London, Gilpin maintained strong ties to the North throughout his life. He attracted the patronage of many northern sportsmen, including the passionate hunting enthusiast Colonel Thornton of Thornville Royal, for whom he painted numerous works. While Gilpin has often been overshadowed by his incomparable contemporary George Stubbs, he nevertheless stands out as a leading painter of horses and animals in his own right. His work is marked by consistent technical competence and, at times, genuine inspiration. He forms a crucial link between the early English sporting school—artists such as John Wootton and Peter Tillemans—and the later generation exemplified by John Ferneley and John Frederick Herring. In addition to his celebrated equine subjects, Gilpin was also admired for his depictions of dogs, which often display a remarkable sensitivity to character and breed. His dog portraits, whether as individual studies or as part of larger sporting scenes, reveal a keen observational eye and a particular fondness for hounds and sporting dogs. These works contributed significantly to his popularity among hunting patrons and collectors. In 1773, Gilpin was elected President of the Society of Artists, and he became a Royal Academician in 1797. Sociable and well-liked, he was a popular figure among fellow Academicians and often collaborated with them, adding animals—particularly horses and dogs—to works by painters like George Barret, William Walton, George Romney, Johann Zoffany, Philip Reinagle, and even the young J.M.W. Turner. He also taught the prolific animal painter Thomas...

Nebraka-based Jamie Burmeister is a sculptural artist known for his original artworks incorporating original small bronze figures, standing at just up to 4 inches tall. His unique fi...

"Cockatoos Citron" is a framed Neo-expressionist oil painting on canvas by Hunt Slonem depicting a large group of cockatoos emerging from a white background. The monochromatic palett...

Figures in an Arcadian Landscape Italian School, 18th century follower of Claude Lorrain (French 1600-1682) oil painting on canvas: 28 x 36 inches framed: 39.5 by 47 inches presented...

This impressive British 1940's portrait oil painting is by noted artist Arthur Royce Bradbury. Painted in 1949 it is a half-length portrait of a young Scottish girl in a mountainous ...

The Garden of Prayer II is the most popular Thomas Kinkade series. This 24” x 30” edition size is limited in Standard Numbered to 4950 Impressions on canvas. This Painting is #4691/4...

Acrylic on canvas Shipped rolled in a tube 100% hand made painting, unique piece.

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By follow...