Eva Fehren Line

Eva Zuckerman doesn’t need a verdant field or beachside abode to spark ideas. “A lot of designers are inspired by nature,” says the founder of Eva Fehren fine jewelry, “but first and foremost, I am a born-and-raised New Yorker. I’ve always been attracted to the aesthetics of New York City — to things as simple as scaffolding, architectural details and cracks in the sidewalk. It’s my landscape.”

And like a true New Yorker, Zuckerman entered the world of fine jewelry with the intention of shaking things up a bit. When she launched Eva Fehren, in 2011, “there wasn’t a ton of fashion fine jewelry in the market,” she notes. “I thought there was something interesting about being a bit irreverent in that space.” It was a chance to create the kind of work she didn’t see a lot of — a “tougher, more minimal aesthetic.”

Zuckerman studied painting at the Cooper Union, in Manhattan’s East Village, and after graduation, she used her portfolio to interview for jewelry-design work. “When I started making jewelry, something really clicked for me,” she says. “I just soaked everything up like a sponge.”

After a few years working for others, she was ready to express her own creative vision and launch her own company. (“Fehren” is a play on Zuckerman’s mother’s last name “Fehrenbacher,” which is also the designer’s middle name.) It proved to be in tune with the zeitgeist: Her original X-Ring was a design home run. Delicate but not fragile, it evoked the crisscross pattern she saw everywhere in New York, from water towers to the Williamsburg Bridge. It has since been copied extensively. At first, she worried, “What if I don’t come up with anything else?” A decade later, that has clearly not been a problem.

For this committed city dweller, even the worst of times had a touch of urban idyll. During the pandemic lockdown, she recalls, “my husband and I would walk the empty streets. I got wrapped up in how beautiful my city is and nostalgic for its energy and spirit. I fell in love with New York all over again.” Will this fresh enchantment inspire new designs? Time will tell.

Find a collection of Eva Fehren rings, necklaces and other jewelry today on 1stDibs.

Contemporary jewelry is inextricably linked with the moment in which it is created, frequently reflecting current social, cultural and political issues such as environmental consciousness, identity and sustainability. It’s informed by fashion trends, from the chokers of the 1990s to the large chain necklaces of the early 2000s.

Jewelry is one of the oldest forms of adornment. Lockets made of silver or gold have been treasured gifts for hundreds of years, for example, and charm bracelets, which have existed since prehistoric times, didn’t become especially popular until the 19th-century reign of Queen Victoria. For many centuries, fine jewelry was used primarily to express wealth or status through lavish materials. Then, in the 1960s, a concept known as the “critique of preciousness” emerged, with jewelers creating pieces that did not get their value from gemstones or precious metals. Instead, it was the jeweler’s artistic vision that was prized and elevated.

This shift still informs Contemporary jewelry being made by artists today. Whether they are using cheap, found materials and working with provocative geometric shapes or seeking out the rarest stones, they are imbuing their work with meaning through their skills, techniques and ideas. Innovative designers such as Elsa Peretti, who popularized sculptural sterling-silver jewelry for Tiffany & Co., and David Yurman, who twisted metal into the simple yet striking Cable bracelet, have also influenced the direction of Contemporary jewelry’s forms and aesthetics.

Meanwhile, technological advancements like metal alloys and laser engraving have led to new possibilities in jewelry design. Now, edgy makers and brands as well as minimalist designers are pushing Contemporary jewelry forward into the 21st century.

Find a collection of Contemporary rings, earrings, necklaces and other jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

Antique diamond rings, diamond tiaras and dazzling vintage diamond earrings are on the wish lists of every lover of fine jewelry. And diamonds and diamond jewelry are primarily associated with storybook engagements and red-carpet grand entrances — indeed, this ultra-cherished gemstone has a dramatic history on its hands.

From “A Diamond Is Forever” to “Diamonds Are a Girl’s Best Friend,” pop culture has ingrained in our minds that diamonds are the most desired, the most lasting and the most valuable gemstone. But what makes the diamond so special? Each stone — whether it’s rubies, sapphires or another stone — is unique and important in its own right. April babies might claim diamonds for themselves, but just about everyone wants this kind of sparkle in their lives!

There are several factors that set diamonds apart from other stones, and these points are important to our gem education.

Diamonds are minerals. They are made up of almost entirely of carbon (carbon comprises 99.95 percent; the remainder consists of various trace elements). Diamonds are the hardest gemstones, ranking number 10 on the Mohs Hardness Scale. Even its name, diamond, is rooted in the Greek adamas, or unconquerable. The only object that can scratch a diamond is another diamond. Diamonds are formed deep within the earth at very high temperatures (1,652–2,372 degrees Fahrenheit at depths between 90 and 120 miles beneath the earth’s surface) and are carried up by volcanic activity. Diamonds are quite rare, according to the Gemological Institute of America, and only 30 percent of all the diamonds mined in the world are gem quality.

In the 1950s, the Gemological Institute of America developed the 4Cs grading system to classify diamonds: clarity, color, cut and carat weight. Not all diamonds are created equal (there are diamonds, and then there are diamonds). The value of the diamond depends on the clarity (flawless diamonds are very rare but a diamond's value decreases if there are many blemishes or inclusions), color (the less color the higher the grade), cut (how the diamond’s facets catch the light, certain cuts of diamonds show off the stone better than others) and carat weight (the bigger, the better).

When you start shopping for a diamond engagement ring, always prioritize the cut, which plays the largest role in the diamond's beauty (taking the time to clean your diamond ring at least every six months or so plays a role in maintaining said beauty). And on 1stDibs, a range of buying guides can be found for those in the market for antique engagement rings, vintage engagement rings or Art Deco engagement rings. 

Shop antique and vintage diamond rings, diamond necklaces and other extraordinary diamond jewelry on 1stDibs.