Tomma Abts Art

In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...

Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower ...

FRUITES D'ESTIU Date of creation: 2004 Medium: Etching and aquatint on Vélin d'Arches paper Edition: 100 + 10 H.C. + 10 PA Size: 80 x 60 cm Condition: In very good conditions and nev...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Artist: Gilou Brillant (1935- ) Title: Untitled Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 x 14.5 in. (55.88 x 36.83 cm) Frame Size: 29 x 21.5 ...

This artwork titled "Montagne Ocre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 28 x 38.5 inches, framed size is 48 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

Joan Miro Barcelona III (from Barcelona Suite) Etching and Aquatint and Carborundum in Colors on Guarro Wove paper Year: 1972 Edition: 50 Signed in P...

Artist: Barbara Kwasniewska, Polish (1931 - ) Title: Oiseau Moqueur Year: 1973 Medium: Aquatint Etching, signed and numbered in ink Edition: 75, EA Size: 34.5 in. x 29.5 in. (87.63 c...

Artist: Gilou Brillant (1935- ) Title: Untitled Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 29 x 3...

Aquatint on watermarked paper, hand-signed and hand-numbered in pencil on lower margin by Piero Dorazio. Edition of 55 prints. Wonderful contemporary and abstract blue composition ...

This artwork titled "Sombre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 38.5 x 28 inches, framed size is 48.25 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

Signed, titled and numbered, edition of 15. Image size: 9.75 x 10.75 Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...